Tap into Your CREATIVE MIND, and BUILD YOUR AUDIENCE BASE!

Download “The Essential Secrets of Songwriting” 6-ebook bundle, available now at a 50% savings!

CLICK TO PURCHASE

LISTEN TO SOUND SAMPLES FROM
"The Essential Secrets of Songwriting"

Listen
©2010-12, Pantomime Music Publications, Halifax, Nova Scotia Canada B3K 5Y1, Contact Us: info@pantomimemusic.com


If you think studying music theory is boring, you've never seen it taught this way before.

Gary Ewer's Easy Music Theory on CD-ROM

Read more

Songwriting Tips by Gary Ewer.

Write better songs and chords by learning The Essential Secrets of Songwriting

Discover:


CLICK HERE to download The Essential Secrets of Songwriting e-books

CLICK HERE for the Essential Secrets of Songwriting
How to Write
a Song that Works
How to Create Chord Progressions that Work
How Music Theory Can Be Easy
Essential Secrets of Songwriting Blog
How to Cure Writer's Block
Free Online Songwriting Lessons
Today's Songwriting Tip
Link Exchange
Sign up for your free monthly Newsletter
Gary Ewer
Senior Instructor (Dalhousie Univ.) Clinician, Composer and Arranger
Nova Scotia, Canada

more

Today's Songwriting Article:
Song Structure: When It's Right, You Don't Notice It
Thursday, January 26, 2012, 11:12 am AST

 Back in 2003 I started doing research into pop music in preparation for writing “The Essential Secrets of Songwriting.” At that time, I had a number of students in my theory classes at Dalhousie University who were songwriters. They were keen to show me the songs they were working on, and I was very interested to help them. In fact, my desire to help them improve is what led to me... [READ FULL ARTICLE... ]

The Essential Secrets of Songwriting website shows you how great songs work. Read daily articles that explore the fascinating world of songwriting.

If you struggle with writing a great song, and you can't seem to finish any song you start, Gary Ewer has written a set of songwriting ebooks designed to get you doing the thing you love. Let those e-books be your guide. They'll show you how to improve your writing skills by showing you how lyrics, melodies, hooks, chord progressions, and every other aspect of good music works. The books take a look at hit songs from the past, showing how and why they became winners.


Along with tons of chord progressions and formulas you can use, you'll be writing the songs that you always knew you could write! The instructional e-books come with sound samples and a glossary of musical terms, so even if you don't read music, these e-books will clear up the muddle and get you enjoying songwriting again.


Designed by Crossbow International Web Design

Previous Songwriting Articles:

 

Why the Hook is Vital in the Writing of Hit Songs

Wednesday, January 25, 2012, 10:57 am AST

  Sometimes a song will become a hit to the surprise of the writers, performers and producers. But so-called "sleeper hits" - songs that rise to hit status unexpectedly - are actually not all that common. Suffice it to say, songs are usually greater than the sum of their parts, and so it can be a little bit unpredictable to determine which songs will become hits. But producers usually know...

Read more

 
 
Strong and Fragile: Using Chord Progressions to Their Greatest Effect

Monday, January 23, 2012, 10:29 am AST

  If you've been writing songs for a while, you'll notice something about chord progressions: they all tend to point to one particular chord as being the harmonic goal. That harmonic goal is the key of your song. So if your song is in G major, the chord progressions are going to move away from and toward G. It's not unlike all the little walks you take during a normal day: they take you... [Read more]

 
 
Power-Up Your Chorus by Fiddling With Verse Rhythms

Friday, January 20, 2012, 11:08 am AST

  Verses differ from choruses in several ways. It's easy to notice things like melodic range: we know that chorus melodies tend to be higher in pitch than verse melodies. We also know that verse lyrics will tend to be descriptive of people and situations, while choruses tend to allow a more emotional response. The difference also extends to rhythm, particularly as it relates to melody...

Read more

 
 
7 Tips for Changing Key Within a Song

Thursday, January 19, 2012, 10:17 am AST

 The key that you choose for your song has more to do with your (or your performer's) vocal range than anything else. That original key choice is a whole topic that requires considerable thought. There's a notion that you should choose a key that allows your voice to reach all melody notes easily. But good performers know that you sometimes want to sing in the highest range possible...

Read more

 
5 Ways to Increase the Number of Songs You Write
Wednesday, January 18, 2012, 8:47 am AST
 If you're like most songwriters, you've probably got a ton of musical bits that don't have a home yet. Snippets of melody, a great bit of lyric, a chorus with nothing else... that kind of thing. And it's frustrating, because those fragments of music probably arose from moments of great musical inspiration, and then - nothing. It's important not to obsess about this sort of thing...

Read more
 
Tips 'n Tricks: Chord Progression Guidelines for Songwriters
Tuesday, January 17, 2012, 11:30 am AST
 When songwriters go looking for a "killer" progression, what they're really looking for is something that's unique, and something that really clicks with the melody. But uniqueness can sometimes, or often, lead to shaky progressions. Whether we like it or not, what makes progressions work is a good dose of predictability. It's OK to have moments where strange, unpredictable things...

Read more
 
Vital Features of Good Song Melodies
Monday, January 16, 2012, 3:30 pm AST
 There's nothing like succeeding in writing an "ear worm" - a melody that grabs hold of a listener and won't let go. It's very hard to define why some melodies do that to us, why some melodies just seem to go around and around in our brains. It can annoy us, but most of the time it's because we thoroughly enjoy that melody on some level. Good song melodies don't need to be ear worm, but...

Read more
 
5 Reasons Your Song Might Use a Pre-Chorus

Friday, January 13, 2012, 10:51 am AST

 A pre-chorus is the short section that sits between a verse and a chorus, and its main purpose is to build energy. A most recent example is Katy Perry's "Firework," with the pre-chorus starting with the words, "You just gotta ignite the light..." There are no rules regarding how long a pre-chorus needs to be, and no rules that state that a particular song must have a pre-chorus. Certain...

Read more

 
 
“Stairway to Heaven”, and 5 Other Killer Minor Key Progressions

Thursday, January 12, 2012, 11:49 am AST

  The main deciding factor in choosing a key for your song is the vocal range. The reason is obvious: you need the song to be singable! If your song is in a major key, it's easy enough to find the 7 chords that naturally go with that key. Simply take the major scale and build chords above each note. If the song is in a minor key, you do the same thing. But with minor keys there is a...

Read more

 

 

Getting Your Song Lyrics in the Right Order

Tuesday, December 27, 2012, 12:26 pm AST

  You might think that writing lyrics is a bit like writing a story. But there are important differences between writing prose and writing lyrics. The chief difference is that while stories are primarily concerned with recounting a story, lyrics have a special responsibility for creating emotion-based images in the minds of the audience. Sometimes those images will occur to us spontaneously...
Read more

 

 



NEW RELEASE

The 2nd Edition of Gary Ewer's “The Essential Secrets of Songwriting"- GET IT NOW



 

Popular Past Articles:

Which Chords with Which Notes? Harmonizing a Melody
Coming up with the melody after endless strumming of chords can often result in a tune that is directionless and uninspiring. What probably scares writers off of writing a melody first is… how do you harmonize it?

Read more
 

 

5 Tips for Choosing a Song’s Key
As a first step to choosing a key for your song, you’ll want to be sure, naturally, that the chosen key allows the song to be singable... So I’m not really addressing that part of the process in this post. There’s so much more to consider than to simply where the song feels easy to sing.

Read more
 

 

Lady GaGa's "Paparazzi"
Paparazzi is a recent single from Lady Gaga's "Fame." It's written in a standard verse-chorus format, and it's worth looking at various compositional elements, particularly chord progression and melodic shape. We'll discover a few nuggets that demonstrate solid writing skills, ideas that can be easily incorporated into your own songwriting method.

Read more
 
Making a MIDI Orchestra Sound Real

MIDI stands for "Musical Instrument Digital Interface." Many of you use MIDI to create instrumentations for your songs... Used well, MIDI can make it sound as if you hired a full symphonic orchestra for your recording. Used poorly, MIDI can make your song sound cheap and amateur!


Read more

 

 

Ideas for Completing your Half-Written Songs
Everyone who writes music has got tons of musical fragments that have gone nowhere.Surely those bits of melodies, lyrics and chord progressions have got some use! Here are some ideas for what you can do to finish up a song that has a start, but no end.

Read more
 

 

5 Improvisation Activities That Generate Song Ideas
I applaud the songwriter who spends as much or more time working out small songwriting challenges than they do actually writing songs. So here are some ideas for improvising your way to a great song.

Read more
 






 

Gary Ewer is a veteran music teacher, clinician, composer and arranger. He is most well known as the author of the best-selling "Gary Ewer's Easy Music Theory," a CD-ROM based course in music rudiments.

Gary has taught music to students of every age group, from five-year-olds in elementary school, through to university-level musicians. This enormously wide-ranging scope has given him a unique perspective on how people learn. Teaching is his passion.

He is in demand as an adjudicator, clinician, conductor and composer. His music has been commissioned and performed by ensembles from amateur level through to professional, including the world-renowned Elmer Isler Singers, The Canadian Broadcasting Corporation, Symphony Nova Scotia, and others.

Gary is currently an instructor at Dalhousie University in Halifax, Nova Scotia, where he teaches music theory, ear training, choral conducting and tonal counterpoint.


"Hey Gary, I love your page and you wouldn't believe how much it has helped me."
-Stephen, California