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Gary Ewer
Senior Instructor (Dalhousie Univ.) Clinician, Composer and Arranger
Nova Scotia, Canada

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Today's Songwriting Article:
The Power of the "Oscillating Key Change"
Thursday, July 29, 2010, 12:21 pam AST

  Choosing a key for your song is usually a no-brainer. Just find the key that works for your voice, given the range of your melody. Usually, you'll choose lower keys if you want a relaxed feel, and higher keys if you want to bring out more intense emotions. But there's another way of dealing with keys: choose two different keys for your melody, and move back and forth between them... [READ FULL ARTICLE... ]

The Essential Secrets of Songwriting website shows you how great songs work. Read daily articles that explore the fascinating world of songwriting.

If you struggle with writing a great song, and you can't seem to finish any song you start, Gary Ewer has written a set of songwriting ebooks designed to get you doing the thing you love. Let those e-books be your guide. They'll show you how to improve your writing skills by showing you how lyrics, melodies, hooks, chord progressions, and every other aspect of good music works. The books take a look at hit songs from the past, showing how and why they became winners.


Along with tons of chord progressions and formulas you can use, you'll be writing the songs that you always knew you could write! The instructional e-books come with sound samples and a glossary of musical terms, so even if you don't read music, these e-books will clear up the muddle and get you enjoying songwriting again.


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Previous Songwriting Articles:
Using Strong and Fragile Rhythm to Generate Real Punch
Wednesday, July 28, 2010, 9:19 am AST
  One of the things that made The Police so popular in the late-70s and 80s was the sense of communication between guitar, bass and drums. "Roxanne," from their 1978 album "Outlandos d'Amour" is a case in point. I think the song would have been much less interesting musically if the band had simply laid down basic time as a backing rhythm throughout. The song intro, however...

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How an Open Cadence Builds Song Energy
Monday, July 26, 2010, 9:04 am AST
  There's so much you can learn from the hit song "Need You Now." I analyzed this song in a previous post, mentioning the use of motif, plateau pitches, vocal harmonies, etc. There's another aspect of how the harmonies work in this tune that you can use in your own songs: the use of the so-called open cadence. A cadence is a particular set of chord progressions that end a musical...

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Songwriters, Is It Time to Step Back?
Friday, July 16, 2010, 10:31 am AST
  Are you a non-stop songwriter? Sometimes, in the music world, moving forward happens best when you take a break and change your focus. And the summer can be a great time to take a few days away from that thing you love to do, and just do a bit of reading. Over the past few years I've been writing articles that relate to songwriting from almost every angle: composing, arranging...

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Stevie Wonder's Superstition: A Song's Hook as a Summary

Thursday, July 15, 2010, 1:09 pm AST

  As you likely know, I'm fond of telling others that a song's hook is often a bit misunderstood. The hook, as a stand-alone entity, is not a necessity. The Beatles hardly ever created songs around hooks, per se, opting instead for the more subtle element we call the motif. A hook, in common usage, is a short idea that repeats over and over in more-or-less the same way throughout...

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Is There a Song Inside You? An Intro to Songwriting

Wednesday, July 14, 2010, 1:46 pm AST

  If you're an adult reading this, you might legitimately wonder if it's possible to begin writing songs at your stage of life. Surely songwriting must be something that one does as a younger person. While many of today's songwriters would profess to have been composing since their early- to mid-teens, you can most certainly start writing music no matter what age you are, and no...

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What is a Circle of Fifths Chord Progression?

Tuesday, July 13, 2010, 11:26 am AST

  A circle of fifths progression is one where the roots of the chords are related to each other specifically by ascending 4ths or descending 5ths. Circle of fifths progressions are considered to be harmonically very strong, in the sense that they pull our ear toward one chord being the tonic, or key chord. In that sense, they're very satisfying; you'll probably see a great use for...
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3 Ways Songwriters Can Improve Their Ear

Monday, July 12, 2010, 10:10 am AST

 The younger you are, the easier it is to train your ear. There is a "window of opportunity" that starts to close through a person's teenage years, so the sooner you can get to improving your ear, the better. Don't believe the myth that some people are "tone deaf" and can't be helped. I've been teaching ear training for years, first at the grade-school level, and now at university, and I can tell you...

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The Beauty of Partnered Chord Progressions

Friday, July 9, 2010, 11:31 am AST

  If you really want a chord progression that works, you've got to consider the entire song, not simply look for a "killer progression." Some of the biggest hits in songwriting history use simple melodies that were created over very simple progressions ("Hound Dog", for example). A song becomes a hit when all the song elements complement each other. The fact that a song's various... [Read more]

 
 
What a Song's Bridge Needs to Make It Work

Thursday, July 8, 2010, 11:11 am AST

  The bridge, also called the middle-8, can be the trickiest part for songwriters to get a handle on. In general, the problem seems to be that bridges will wander about too much without any real direction if you're not careful. Not every song needs a bridge, and you'll know if it needs one if, by the end of the second chorus, you're really needing something different. So the bridge...

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5 Subtle Ways to Build Song Energy

Wednesday, July 7, 2010, 11:55 am AST

  Songwriters know that energy should build as a song progresses. Song energy is one of those musical terms that is difficult to define with any exactitude. Suffice it to say, if you find yourself feeling more excited as the song moves along, you're experiencing an increase in song energy. This principle is a vital one, because increasing energy is what keeps a listener listening. If...
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Popular Past Articles:

Shontelle’s “Impossible”: Why It Works
Bajan singer Shontelle is releasing her second album, “No Gravity”, in June of this year. Her first single from that album is a great tune called Impossible. It’s a typical verse-chorus-bridge structure. What makes it work primarily is the control of melodic shape and range. It’s a great demonstration directing modal focus from minor to major, and controlling melodic direction.

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Lady GaGa's "Paparazzi"
Paparazzi is a recent single from Lady Gaga's "Fame." It's written in a standard verse-chorus format, and it's worth looking at various compositional elements, particularly chord progression and melodic shape. We'll discover a few nuggets that demonstrate solid writing skills, ideas that can be easily incorporated into your own songwriting method.

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Which Chords with Which Notes? Harmonizing a Melody

Coming up with the melody after endless strumming of chords can often result in a tune that is directionless and uninspiring. What probably scares writers off of writing a melody first is… how do you harmonize it?


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Owl City
Many will find this music a bit syrupy, but in my opinion it’s just going to take a little time for Young to give us something more substantial. All the elements are in place for that to happen. Nonetheless, there are things to learn from Owl City's “fireflies”, both good and bad.

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The Black Eyed Peas
Let's get this much out of the way:
The lyrics for I Gotta Feeling are not the reason it's been such a successful chart-topper. But there's got to be a reason why this song has enjoyed so many weeks on the Billboard Hot 100. This song may be simply joining that long list of songs that gets people's attention at a certain point in time without a strong musical reason to explain

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Imogen Heap
Imogen Heap's new album, "Ellipse", features an extraordinary song called "Tidal." Using small melodic cells, Heap constructs the overall formal map in much the same way that the world's greatest classical composers have been doing for centuries.

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Gary Ewer is a veteran music teacher, clinician, composer and arranger. He is most well known as the author of the best-selling "Gary Ewer's Easy Music Theory," a CD-ROM based course in music rudiments.

Gary has taught music to students of every age group, from five-year-olds in elementary school, through to university-level musicians. This enormously wide-ranging scope has given him a unique perspective on how people learn. Teaching is his passion.

He is in demand as an adjudicator, clinician, conductor and composer. His music has been commissioned and performed by ensembles from amateur level through to professional, including the world-renowned Elmer Isler Singers, The Canadian Broadcasting Corporation, Symphony Nova Scotia, and others.

Gary is currently an instructor at Dalhousie University in Halifax, Nova Scotia, where he teaches music theory, ear training, choral conducting and tonal counterpoint.


"Hey Gary, I love your page and you wouldn't believe how much it has helped me."
-Stephen, California