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Gary Ewer
Senior Instructor (Dalhousie Univ.) Clinician, Composer and Arranger
Nova Scotia, Canada

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Today's Songwriting Article:
10 Quick Tips For Safeguarding Your Songs
Friday, February 3, 2012, 11:12 am AST

 Any song you write, and in fact anything you write, is automatically copyright. There is no need to apply for it. Unfortunately, owning the copyright on a song does little for you if someone disputes that you are the author. And it does nothing to protect you or help you if someone takes your song and uses it for their own purposes without your permission. So copyright, as a defence... [READ FULL ARTICLE... ]

The Essential Secrets of Songwriting website shows you how great songs work. Read daily articles that explore the fascinating world of songwriting.

If you struggle with writing a great song, and you can't seem to finish any song you start, Gary Ewer has written a set of songwriting ebooks designed to get you doing the thing you love. Let those e-books be your guide. They'll show you how to improve your writing skills by showing you how lyrics, melodies, hooks, chord progressions, and every other aspect of good music works. The books take a look at hit songs from the past, showing how and why they became winners.


Along with tons of chord progressions and formulas you can use, you'll be writing the songs that you always knew you could write! The instructional e-books come with sound samples and a glossary of musical terms, so even if you don't read music, these e-books will clear up the muddle and get you enjoying songwriting again.


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Previous Songwriting Articles:
 
The Advantage of Sketching a Map For Your Song
Thursday, February 2, 2012, 10:49 am AST
 Most songwriters piece a song together while sitting with an instrument. Little by little, lyrics, melodies and harmonies unite to form a final product. When it works, it's great, and it's fun. But from time to time you notice that something's not working. You feel like you're on the right track, but you can tell that something's not quite right. There are things you can do that will quickly...

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8 Chord Progression Sequences for Songwriters
Wednesday, February 1, 2012, 11:01 am AST
 You're probably familiar with a sequencer, which is a piece of hardware (or software) that can record and play back music. This article isn't about that. A musical sequence occurs when you take a short bit of melody and play it again, starting on a higher or lower pitch. It used to be a very common way of writing melodies back in the days of Bach, Mozart and Beethoven. A great example...

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5 Ways to Demonstrate the Power of Opposite Ideas

Tuesday, January 31, 2012, 10:40 am AST

 A colleague of mine was once asked what music was. His reply was, "Anything written with musical intent." In context, his answer made sense, considering that the conversation the group of us were having was concerning John Cage's 4'33", a piece of music written for any instrument, the main instruction being that the player was not to actually play the instrument at all, for four minutes and...

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Repetition: the Fix For a Wandering Song Melody

Monday, January 30, 2012, 10:20 am AST

  In the last blog post I wrote about one of the most common problems I saw in young songwriters, which was a serious flaw in the sense of structure and form of their music. I mentioned that the main symptom of bad structure is a song that seems to have no climactic moment; no obvious point to where the song energy is building. A badly-written melody can be both a cause...

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Song Structure: When It's Right, You Don't Notice It

Thursday, January 26, 2012, 11:12 am AST

  Back in 2003 I started doing research into pop music in preparation for writing “The Essential Secrets of Songwriting.” At that time, I had a number of students in my theory classes at Dalhousie University who were songwriters. They were keen to show me the songs they were working on, and I was very interested to help them. In fact, my desire to help them improve is what led to me...
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Why the Hook is Vital in the Writing of Hit Songs

Wednesday, January 25, 2012, 10:57 am AST

  Sometimes a song will become a hit to the surprise of the writers, performers and producers. But so-called "sleeper hits" - songs that rise to hit status unexpectedly - are actually not all that common. Suffice it to say, songs are usually greater than the sum of their parts, and so it can be a little bit unpredictable to determine which songs will become hits. But producers usually know...

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Strong and Fragile: Using Chord Progressions to Their Greatest Effect

Monday, January 23, 2012, 10:29 am AST

  If you've been writing songs for a while, you'll notice something about chord progressions: they all tend to point to one particular chord as being the harmonic goal. That harmonic goal is the key of your song. So if your song is in G major, the chord progressions are going to move away from and toward G. It's not unlike all the little walks you take during a normal day: they take you... [Read more]

 
 
Power-Up Your Chorus by Fiddling With Verse Rhythms

Friday, January 20, 2012, 11:08 am AST

  Verses differ from choruses in several ways. It's easy to notice things like melodic range: we know that chorus melodies tend to be higher in pitch than verse melodies. We also know that verse lyrics will tend to be descriptive of people and situations, while choruses tend to allow a more emotional response. The difference also extends to rhythm, particularly as it relates to melody...

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7 Tips for Changing Key Within a Song

Thursday, January 19, 2012, 10:17 am AST

 The key that you choose for your song has more to do with your (or your performer's) vocal range than anything else. That original key choice is a whole topic that requires considerable thought. There's a notion that you should choose a key that allows your voice to reach all melody notes easily. But good performers know that you sometimes want to sing in the highest range possible...

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5 Ways to Increase the Number of Songs You Write
Wednesday, January 18, 2012, 8:47 am AST
 If you're like most songwriters, you've probably got a ton of musical bits that don't have a home yet. Snippets of melody, a great bit of lyric, a chorus with nothing else... that kind of thing. And it's frustrating, because those fragments of music probably arose from moments of great musical inspiration, and then - nothing. It's important not to obsess about this sort of thing...

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Popular Past Articles:

Which Chords with Which Notes? Harmonizing a Melody
Coming up with the melody after endless strumming of chords can often result in a tune that is directionless and uninspiring. What probably scares writers off of writing a melody first is… how do you harmonize it?

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5 Tips for Choosing a Song’s Key
As a first step to choosing a key for your song, you’ll want to be sure, naturally, that the chosen key allows the song to be singable... So I’m not really addressing that part of the process in this post. There’s so much more to consider than to simply where the song feels easy to sing.

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Lady GaGa's "Paparazzi"
Paparazzi is a recent single from Lady Gaga's "Fame." It's written in a standard verse-chorus format, and it's worth looking at various compositional elements, particularly chord progression and melodic shape. We'll discover a few nuggets that demonstrate solid writing skills, ideas that can be easily incorporated into your own songwriting method.

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Making a MIDI Orchestra Sound Real

MIDI stands for "Musical Instrument Digital Interface." Many of you use MIDI to create instrumentations for your songs... Used well, MIDI can make it sound as if you hired a full symphonic orchestra for your recording. Used poorly, MIDI can make your song sound cheap and amateur!


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Ideas for Completing your Half-Written Songs
Everyone who writes music has got tons of musical fragments that have gone nowhere.Surely those bits of melodies, lyrics and chord progressions have got some use! Here are some ideas for what you can do to finish up a song that has a start, but no end.

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5 Improvisation Activities That Generate Song Ideas
I applaud the songwriter who spends as much or more time working out small songwriting challenges than they do actually writing songs. So here are some ideas for improvising your way to a great song.

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Gary Ewer is a veteran music teacher, clinician, composer and arranger. He is most well known as the author of the best-selling "Gary Ewer's Easy Music Theory," a CD-ROM based course in music rudiments.

Gary has taught music to students of every age group, from five-year-olds in elementary school, through to university-level musicians. This enormously wide-ranging scope has given him a unique perspective on how people learn. Teaching is his passion.

He is in demand as an adjudicator, clinician, conductor and composer. His music has been commissioned and performed by ensembles from amateur level through to professional, including the world-renowned Elmer Isler Singers, The Canadian Broadcasting Corporation, Symphony Nova Scotia, and others.

Gary is currently an instructor at Dalhousie University in Halifax, Nova Scotia, where he teaches music theory, ear training, choral conducting and tonal counterpoint.


"Hey Gary, I love your page and you wouldn't believe how much it has helped me."
-Stephen, California