Musical Energy

Using the Natural Energy of Music in Your Songwriting

When we talk about the energy of music, at least in strictly songwriting terms, we’re talking about the sense of the music being propelled forward. In this sense, I’m not necessarily talking about how powerful, loud or energetic the music sounds or feels; I’m talking about musical momentum. For example, when one section of a […]

Eagles - Life in the Fast Lane

Avoiding the Problem of Disorganized Song Lyrics

It’s an important principle of all music that the energy we perceive at the end of a song should usually exceed the energy at the beginning. That increase in musical energy keeps audiences listening. But the build in energy is not usually a straight line. It’s an ebb-and-flow quality, and it usually takes the following […]

Songwriter in Home Studio

Are Songwriting Principles Genre-Specific?

In songwriting, a principle is a statement that attempts to explain why some aspect or element of music works the way it does. Principles are not rules, because a rule implies that it must (or at least should) be done a certain way in order for the music to be successful. But a principle makes […]

Now, Now - SGL

Getting the Most Out of a Song’s Hook

For most songs in the pop genre, the bit that you really love will be some short, catchy fragment. That fragment — the hook — is the bit that you’ll remember forever about that song. Long after you’ve forgotten almost everything else, you’ll remember that hook. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, […]

Sarah McLachlan

Song Analysis: “Adia” – Sarah McLachlan

“Adia” (Pierre Marchand, Sarah McLachlan) is one of Sarah McLachlan’s most successful singles, her first top 5 on the Billboard Hot 100 back in 1998. From a musical point of view it’s probably most notable for its beautiful melody and creative chord progression, and well worth a quick study. MELODY The melody (in C minor/Eb […]

Piano and guitar - chords

What To Do With a Song Chorus That Isn’t Working

Let’s say you’ve come up with a hook that you think should be something that works well as the main flag-waving part of your chorus. So then you set about to write a verse that leads into that chorus. But once that’s done, and you play the verse and chorus in sequence, you find that the […]