George Harrison

Solutions For the Two Main Reasons Why a Song Might Fail to Impress

In reality, there’s many possible reasons why a song that started with a lot of promise winds up being one where the audience has a ho-hum reaction. But if you’re looking for a likely culprit, here are two of the most common reasons for a song that misses the mark: The hook isn’t doing its […]

guitarist - songwriter

Using Chord Progression Sleight-of-Hand In a Song’s Bridge

This is a bit of an addition to yesterday’s post, in which I gave some thoughts on the melody and lyrics of Bruce Springsteen’s “Hungry Heart“. There’s one other aspect of this song that deserves a quick mention: the key change at the song’s instrumental bridge (at 1’38”). The song is in C# major. We […]

Simply Red - If You Don't Know Me By Now

What You Need to Know About the Rhythms of Your Melodies

Most of the time you probably don’t think a lot about the rhythms you use for your melodies. That’s because the rhythm is usually determined by the lyric. The words you use will tell you what the rhythms are going to be. Many songs live or die on the quality of its hook. “Hooks and […]

songwriter's challenges

Starting Songs: Building On that First Idea

A common stumbling block for songwriters is: how to continue a song once that initial song idea has been created. It can feel very discouraging, because often that first song idea happens easily, and you feel excited for what’s to come. And then… nothing. I wrote about this a week or so ago, and in […]

Neil Diamond

Taking a Close Look at a Song’s Pre-Chorus

If you’re looking for a song that has what amounts to being a textbook definition of a pre-chorus, that song would be Neil Diamond’s “Sweet Caroline.” The pre-chorus section (“Hands, touchin’ hands/ Reachin’ out,/touchin’ me, touchin’ you”) moves step-by-step higher while the instrumentation builds, the vocal style becomes edgier, and everything gets louder. Those are […]