Sarah McLachlan

Song Analysis: “Adia” – Sarah McLachlan

“Adia” (Pierre Marchand, Sarah McLachlan) is one of Sarah McLachlan’s most successful singles, her first top 5 on the Billboard Hot 100 back in 1998. From a musical point of view it’s probably most notable for its beautiful melody and creative chord progression, and well worth a quick study. MELODY The melody (in C minor/Eb […]

Piano and guitar - chords

What To Do With a Song Chorus That Isn’t Working

Let’s say you’ve come up with a hook that you think should be something that works well as the main flag-waving part of your chorus. So then you set about to write a verse that leads into that chorus. But once that’s done, and you play the verse and chorus in sequence, you find that the […]

Guitarist - Drummer

Writing a Songwriter’s Equivalent of a Page-Turner

If you were a novelist, you’d be hoping to write a “page-turner.” As you know, all that means is that the reader simply can’t wait to turn the page to see what happens next. Is there an equivalent to the page-turner in the songwriting world? That concept of anticipation exists in every art form, though […]

Genesis - Wind & Wuthering

Downward-Moving Verse Melodies, and When They’re a Good Idea

When you look at a typical verse melody, it’s probably most common that you’ll notice that the typical direction is upward, particularly if you compare the first few notes to the final few before the chorus hits. It’s time well spent to look deeper, though, at how good verse melodies move, because where the voice […]

What Should Happen After a Song Bridge?

In most songs, the bridge will happen after the second chorus. As you’re approaching the end of the bridge, you get two options: do your final chorus repeats and end the song, or do a third verse. What you choose to do will have an affect on what the end of your bridge sounds like, […]

Band in rehearsal

Dealing With “To Be Continued” in Songwriting

When I’m watching a drama on network television, I know that I have to deal with constant stoppages in the action. It’s those commercial breaks that pay the bills, and so they’re important. Those commercial breaks probably make TV executives very nervous: it’s during the breaks that I’m most likely to switch stations and try […]