Songwriter-Guitarist tuning

Deciding If Your Song Needs a Bridge (Middle-8)

A bridge is the section of a song that typically comes after the second chorus in verse-chorus songs. In verse-only songs, like “I Should Have Known Better” (Lennon & McCartney), the bridge will usually come after the second verse. For many songwriters, the question of whether or not to use a bridge (or any other […]

Songwriter - lyricist

The Conversational Nature of Good Song Lyrics

I’m really pleased to notice (or at least I think I notice) that the quality of lyrics has been becoming an important sought-after aspect of good mainstream songwriting. It seems only a few years back that everyone was talking about chord progressions. The term “killer chord progression” was one I’d hear in many musical conversations. Trying […]

Working On Several Tunes to Avoid Excessive Song Similarity

If you’re still struggling with the fact that all your songs sound similar, the first step in dealing with it might be not to worry: a bit of similarity is not necessarily something that needs to be avoided. After all, if you listen to any hit group, you’re going to notice at least some similarities, and […]

Sarah McLachlan

Song Analysis: “Adia” – Sarah McLachlan

“Adia” (Pierre Marchand, Sarah McLachlan) is one of Sarah McLachlan’s most successful singles, her first top 5 on the Billboard Hot 100 back in 1998. From a musical point of view it’s probably most notable for its beautiful melody and creative chord progression, and well worth a quick study. MELODY The melody (in C minor/Eb […]

Audience at a rock concert

The Power of the People

I’m not a photographer (not a good one, anyway), but I’d rather see photos with people in them than without, no matter how exciting the landmark is that I’m shooting. The simple reason is that we make connections to people more so than to inanimate objects. There’s more to a song hook than meets the […]

Love songs

Good Lyrics Create (Rather Than Describe) Emotions

I read an interview with Paul McCartney once where he talked about the choice of words in “She Loves You.” In particular, he and Lennon considered it a bit risky to be singing a song about “he” and “you”, since most love songs put the singer front and centre. In other words, musical logic dictates […]