There are some songs, when you compare the start of the song to the end of it, make it obvious what we mean by musical energy. “Stairway to Heaven” is a great example: it starts very quietly, uses subdued acoustic guitar and recorders, with a nostalgic, mid-range vocal approach. The hook is probably the most […]
When it comes to the performance of a song, you’re probably very well aware of the importance of musical energy. Much of the time we might safely equate energy with loudness, though the true definition involves a lot more than just loudness. If all you need are tons of progressions to try out, you need “Essential Chord […]
“The Essential Secrets of Songwriting” eBook bundle includes “Writing a Song From a Chord Progression”. Learn how to write great songs by starting with the chords, and then avoiding all the potential pitfalls of the chords-first songwriting process. Recently I wrote about the importance of musical energy in all songs, whether they’re loud or soft, and that […]
In my songwriting eBooks, particularly “The Essential Secrets of Songwriting”, I list eleven different principles of songwriting — aspects of music that seem to be present in practically all songs, regardless of genre or other performance-related characteristics. One of those principles is this: “In general, the energy at the end of a song should equal […]
Momentum is not easy to identify in music, but you know you’re experiencing it when you feel the need to keep listening. As you listen, you get an impression of a kind of musical tension — tension that needs to find a release. And as the listener, you need to wait long enough to hear […]
In pop songwriting, a bridge (also called a middle-eight) usually occurs after the second chorus, or, in songs that don’t use a chorus, after the second verse. For songs in verse-chorus formats, this is the common position of a song’s bridge: Verse – Chorus – Verse – Chorus – BRIDGE – Verse – Chorus – […]
