There was something about the best music teachers of my youth that made me want to be better. They weren’t just good teachers; they were good musicians. Because they excelled, I wanted to excel. To excel at anything requires two things: An instinct A passion Those two qualities go hand-in-hand. It’s unlikely you’d develop a […]
If you’re an instrumentalist, you know that practice is an important part of getting better. Practice requires you to put a magnifying glass on your technique — and sometimes your musicianship — and focus in on what you find difficult. Some instrumentalists maintain that they make their best improvements by simply playing, rather than by working out […]
In the pop music genres, a great chorus is a self-contained unit. It doesn’t need a verse in order to work, musically speaking; it will work on its own. That’s certainly not to say that a chorus is all you need, or that a verse serves no useful purpose. In most songs, if all you […]
Every songwriter is a communicator. Most of the time what you’re communicating is obvious from the title and lyric, but there’s so much more than words that contribute to the meaning of a song. A few years back I did a blog article that compared two renditions of “Always On My Mind” (Wayne Carson, Johnny […]
When you listen to verse 2 of Simon & Garfunkel’s “Scarborough Fair/Canticle, you’re hearing the main melody, but you’re also hearing, in addition to some simple backing vocals, a secondary melody in the background. Do you find that writing a great melody is your biggest challenge? In great songs, it’s not just about the tune […]
I’m a fan of any songwriting process that requires concentrating on the melody first. The main reason I like melody-first writing is that you’re concentrating on the part of a song that’s the most hummable, and the easiest for someone to remember. If there is one criticism I have of melody first processes, it’s that […]
