Most of us succumb to a kind of “muscle memory” when it comes to writing music. We tend to favour certain styles, certain tempos, even certain keys. To a degree, this isn’t a bad thing, and it’s to be expected. The fact that we favour this or that way of writing is what having a […]
On November 3, both the CNN and BBC, as well as many other news outlets, reported new research, published in “Psychology of Aesthetics, Creativity and the Arts“, into the issue of earworms: what makes an earworm, and why some songs are more likely than others to possess the characteristics of an earworm. CNN refers to […]
Every time I hear the opening bars of “Thus Spake Zarathustra“, by Richard Strauss, even after decades of being familiar with it, I still feel an incredible sense of awe and amazement. You may not know that title, but you do know the piece: it’s the theme from “2001: a Space Odyssey.” Context is everything. […]
Let’s say that you’re working out a lyric that tries to explain to your listeners how you’re feeling about some aspect of your life. It might be that you’re going through a rough patch, let’s say, and you want the audience to feel something of what you’re facing. So the lyrics come to you quickly […]
There are many differences between classical music and pop music. Some of those differences are easy to hear. For example, pop music often relies on rhythmic syncopations and obvious rhythmic grooves, while classical music tends to use syncopation sparingly, and not in a way that sets up a groove. You’ll also notice that pop music tends to […]
I was very much saddened, as I know most of my blog readers were, to hear the news of Leonard Cohen’s passing. His contribution to the world of poetry and popular songwriting is immeasurable; his music will be studied and performed for centuries, there can be no doubt. Over the past 8 or so years of […]
