Thousands of songwriters are using Gary Ewer’s “The Essential Secrets of Songwriting” 6 e-Book Bundle to solve their songwriting dilemmas. Now with a 7th free eBook, “From Amateur to Ace: Writing Songs Like a Pro.” Read More..
It’s common to hear songwriters say that they’re good at one or another aspect of songwriting, and bad at others. It’s OK to acknowledge your weaknesses, as long as it’s not meant to imply that your talents are set, with no ability or expectation to improve.
But like sports, your abilities can be honed and refined. This happens through experience, but it also happens from practice. Even excellent home run sluggers will do batting practice to polish their skills.
Similarly, melody writing can be improved by studying the structure of good melodies, and then practicing.
What follows is a set of steps that can help you work out the ins and outs of composing good melodies, and especially help you focus on the chief differences between verses and choruses.
As you hopefully know, a good chord progression can almost always make a good verse progression (though not always the other way around), so let’s use the following strong progression as our practice progression:
C F Dm F C
Play through the progression several times, in different ways and performance styles to get it firmly in your mind. Now follow the steps:
- Sing an E, the one above Middle C.
- Start improvising a VERSE melody that moves back and forth between the E and the C below it. You’ll find that as you switch chords, that either the C, D or E pitches should work well.
- Now, because you’re inventing verse melodies here, let the melodies you create wander around a bit. Remember to keep them relatively low in pitch. Explore the notes below middle C, and see if you can repeat some ideas occasionally as you move to the next chord in the progression. Also remember that verse melodies often avoid the tonic (C) note from being over-used.
- Now start improvising some potential CHORUS melodies. Start on the G above middle C, moving upward from that note. Chorus melodies use a lot more repetition, and move generally higher than verse melodies. So explore the upper ranges of your voice, and try to find a hooky, catchy fragment that will work with all or most of the chords.
- In working out chorus melodies, try to make the tonic note more significant than you did in the verse. Let melodies end and/or start on the tonic note, as if that note is a beacon that keeps pulling the music back.
Each time you work through the progression, start again with some new melodic ideas. Record the process, because you never know when you’ll come across something that catches your attention, something you might be able to use in a song.
Written by Gary Ewer. Follow on Twitter.
“The Essential Secrets of Songwriting” 6-eBook Bundle looks at songwriting from every angle, and has been used by thousands of songwriters. How to use chords, write melodies, and craft winning lyrics. $
95.70 $37.00 (and you’ll receive a FREE copy of “From Amateur to Ace: Writing Songs Like a Pro.“)