Nirvana in concert

In Good Songwriting, Opposites Matter

Most songs make use of contrasting characteristics as a way of keeping listeners interested. You might get a song with a verse that’s quiet, at least in comparison to the chorus. “Smells Like Teen Sprit” (Nirvana) is a good example, and practically any power ballad. If you’re looking for one set of eBooks that will […]

Changing Key (While Not Really Changing Key)

Most songs will keep the same key from beginning to end. For songs that do change key, the most common circumstance is when you have a minor verse that moves to a major chorus. You hear this in lots of songs. I did a video a while back regarding how songs change key, and referred […]

Songer - Songwriter

Considering Chords When Using a Melody-First Songwriting Process

If you like starting the songwriting process by working out the melody, you’re likely also simultaneously considering the chords that might accompany it. That’s because for melodies that are in a key, it’s practically impossible to hear those melody notes without our brains imagining chord possibilities. If hooks seem elusive when you’re trying to write […]

Band rehearsal session

Verses, Choruses, and the Role of the Tonic Chord

The key of your song is usually determined by the key of your chorus. Your song’s verse might be in A minor, but it’s quite common for the key to then switch to C major for the chorus, and that’s usually what we think of as the song’s main key. When you put the magnifying […]

Burton Cummings

Adding Colour to Chord Progressions With a Major II-Chord

If all you need are some chord progressions to get your songwriting process started, “The Essential Secrets of Songwriting 10-eBook Bundle” contains 2 chord collections plus eBooks on how to create your own chords, and how to add chords to melodies that you’ve written. If you take a major scale and build chords above each […]

Creating Chord Progressions that Move from Minor to Major

Here’s an interesting and easy way to create chord progressions that move back and forth from minor key to major. Progressions that shift major/minor focus in this way help to create fluctuating moods that work especially well in song verses and bridge sections. To do this, you need to know that every minor key has […]