Sting - Every Breath You Take

After Verse and Chorus Chords, What To Do About the Bridge?

Most pop songs, and all the related genres such as folk, country, etc., use simple, strong chord progressions. In fact, when you go back and look at complex prog rock tunes from the early to mid-seventies, you might be surprised to see that chord choice is not nearly as adventurous as you might think. Complex […]

John Legend

Using Opposite Approaches For Your Verse and Chorus

As listeners of music, we like to hear contrasting ideas as a song progresses, even if we’re not consciously aware of it. In songwriting, a contrasting idea might mean something like this: one part of a melody that’s harmonized mainly with minor chords, followed by a section harmonized with mostly major ones. Contrast in a […]

Lady Gaga

When a Verse and Chorus Are In Different Keys

Having the verse and chorus in different keys is not rare if you consider the number of songs where the verse is mainly in minor, and then the chorus switches to the relative major. Sometimes the minor-major relationship is a different one, like Lady Gaga’s “Paparazzi” (Stefani Germanotta, Rob Fusari), which has a verse in […]

Guitar - Songwriting

Determining the Key of Weird Chord Progressions

Take a look at the following two progressions. The first one comes from the verse of John Legend’s “All of Me” (John Stephens, Toby Gad), and the second one comes from the verse of “Goodbye Yellow Brick Road” (Elton John, Bernie Taupin): 1. All of Me: Fm  Db  Ab  Eb 2. Goodbye Yellow Brick Road: […]

Synth - chord progressions

Songwriting: Moving From Aeolian Mode to Major Key

Some songwriters have a natural aversion to music theory. That dislike usually goes hand-in-hand with the mistaken belief that the purpose of music theory is to tell you what you should or shouldn’t be writing. That’s never been the purpose or power of music theory. Rather, theory gives you an understanding of the structure and […]

Band rehearsal

5 Powerful Minor Key Progressions

Most of us succumb to a kind of “muscle memory” when it comes to writing music. We tend to favour certain styles, certain tempos, even certain keys. To a degree, this isn’t a bad thing, and it’s to be expected. The fact that we favour this or that way of writing is what having a […]