Piano keyboard and guitar

Tips for Songwriters: Avoiding Accidental Plagiarism

Given the few notes within an octave and the millions of songs that have been written using them, accidental plagiarism is a constant companion for most songwriters. Every time you come up with a great songwriting idea — especially something that you really like — you’re immediately wondering if you’ve stolen the idea from an […]

Adele

Creating Moods In a Song is More Than Major Versus Minor

It’s a stereotypical notion that major keys sound happy and minor keys sound sad. In reality, it takes a lot more than simply choosing major or minor. You can have sad songs in major keys (“Someone Like You” – Adele, Dan Wilson), and you can have happy songs in minor keys (“Happy ‘Cause I’m Going […]

George Harrison

From a Minor Key Verse to Its Parallel Major

You may be familiar with the term relative major — that’s the major key that uses the same key signature as a particular minor key. It’s a very common key relationship in pop songs, because if you’ve written a song that uses a minor key verse, and you decide to switch to major for the chorus, […]

Christina Perri

Writing the Best Bridge For Your Song

A bridge section, sometimes also called the middle eight, is an optional section that usually happens after the chorus’s second appearance in a song, or after the second verse or refrain for songs that don’t use a chorus. Songs With a Chorus Verse – Chorus – Verse – Chorus – Bridge – Final Chorus Repeats or Verse […]

Andy Grammer

A Chords-and-Melody Troubleshooting Guide for Songwriters

Is putting chords and melodies together one of your biggest challenges as a songwriter? Every song is unique, and uniqueness can sometimes make it hard to understand how chords can and should be supporting the form of your songs, and the melody notes above them. If you like starting songs by working out chord progressions, […]

Outline of a guitar

The True Nature of Contrast in Songwriting

We tend to over-simplify what we mean by contrast in a good song, and thereby misunderstand its power. Contrast, in musical terms, means considering musical opposites: loud versus soft, high versus low, and so on. When we over-simplify contrast, we simply think that the contrast principle requires us to mix loud and soft sounds, high and […]