Piano - Songwriting

Giving Your Song a New Identity

Have you ever written one of those songs that just doesn’t work, no matter what you seem to do to it? Of course, the most common solution is to put it aside, maybe forget about it, and get on with your next one. Before you give up entirely on that song that isn’t measuring up, […]

Guitar mic

Working Flat-III, Flat-VI, and Flat-VII Into a Major Progression

First, a Bit of Basic Theory… For any given major key, there are 7 chords that occur naturally, one built on each note of the scale. In the key of C major, that gives you these chords: C Dm Em F G Am Bdim According to the very popular HookTheory website, the 3 most commonly […]

Guitar - songwriting talent

Borrowing Chords From the “Opposite Mode” To Give a Progression New Life

Even if you don’t have a strong background in music theory, you likely know that some chords just sound right together, while others don’t. For example, in the following chord progression, it’s hard to make any kind of sense out of the F#m chord; it just sounds odd… too odd for most common genres, you […]

Drake - Controlla

Deciding Where in a Song a Chord Progression Belongs

It’s quite possible to use a single chord progression in every section of your song, such as you might hear in “Controlla” (Drake et al). But if you do choose to use the same progression throughout a song without changing it, it’s the kind of progression that needs to sound tonally strong. A strong progression simply […]

Major Key Brightness in a Minor Key Verse

It’s a common technique for songwriters to write a verse that sits mainly in a minor key, and then switch to a major key for the chorus. The main reason for this kind of minor-to-major relationship working so well is that it considerably brightens the sound of a song. If you think of the verse […]

The Three Tenors

Intensifying the Emotional Power of Your Songs With Vocal Range

Yes, there is a trio called “The Three Basses“, created on the coattails of the much more famous “Three Tenors.” The bass voice appears less able to generate the kind of wow-factor that the tenor voice is able to create. The three tenors were able to have audiences on their feet even before the music was finished. […]