Every chord has contains at least 3 notes: C uses C-E-G; Dm uses D-F-A; Em uses E-G-B, and so on. Some chords contain more than 3. For example, G7 has the 3 notes that make up the “triad” part: G-B-D, and then a 7th on top, making it a 4-note chord: G-B-D-F. The root of a chord is the note represented by […]
A verse-chorus chord progression pair refers to two progressions that move seamlessly one to the other, where one has those characteristics of a good verse progression and the other acts as a good chorus one. Before giving examples of these types of pairs, keep in mind that the easiest way is to create one progression that will […]
When you play through chord progressions for songs you know, you’ll occasionally come across ones that involve a slash: F/A, C/G, Dm7/F, etc. These kinds of chords are called inversions, known colloquially as “slash chords” because of that slash. As you probably know, the letter name before the slash is the actual chord that you should […]
In music, momentum is anything that builds energy. Every possible element within a song has the potential to affect momentum, and songs are good if all of those elements partner well. You can hear energy and momentum growing in a song in any number of ways, including: if the music becomes louder; if the music becomes faster; […]
Chord choice is one part of songwriting that doesn’t require a lot of imagination. All that’s really required is that a progression works. In that sense, it’s not much different from a piece of country land that you might build a house on. Sure, it may seem important to have land that, on its own, takes […]
A song that we love can seem to have a really enticing chord progression, but when you really dig into the song to find out what they’ve done regarding chords, you often find that they’re very ordinary, and that it’s other things — syncopated rhythms, chord inversions, and melodic shapes above the chords — that […]
