It may surprise you to know that if you go back enough in time — the Medieval era, for example — most music was all about the melody, and that harmony definitely played a secondary role: harmonies were incidentally created as several melodies were played together. While today, most music is a melody with chords […]
When a song is working well, it means that all its separate components don’t just sound good on their own, but they also partner up well with all (or most) of the song’s other components. In that sense, a good song is typically better than the sum of its parts. Some songwriters find chords to […]
When you listen to songs, you’re likely unaware of the concepts of fragile and strong being played out, but it’s actually a very important aspect of good songwriting. If you’ve written a melody and you want to explore the many ways there are to add chords to it, you need to get “How to Harmonize a […]
As you know, I spend a lot of time telling songwriters that their chords don’t need to be complex or even innovative in order for a song to succeed. They just need to support the melody, and as long as that melody is catchy, and assuming the lyrics you come up with are engaging, you’ve […]
Inverted chords, often called “slash chords” because of the way they’re notated (C/G: “C slash G”) can add a very useful sense of creativity to an otherwise ordinary chord progression. In fact, if you’re looking to make your progressions sound a bit more inventive, exploring ways to use inversions should be your first step. Here’s […]
Chord progressions are responsible for much of the mood that we pick up in a song. Chords don’t do it on their own of course, but we get a clearer picture of the mood from the way the chords change more than from pretty much any other single element. Simple, standard progressions work just fine […]
