Get the eBook bundle that thousands of songwriters are using to improve their songwriting technique. “The Essential Secrets of Songwriting 10-eBook Bundle” comes with a free copy of “Use Your Words! Developing a Lyrics-First Songwriting Process.” One common complaint I hear from songwriters is that when trying to come up with a unique or creative […]
Most songs in the pop genres use simple chord progressions. “Simple” means that they target the tonic chord — the chord that represents the song’s key — and make that tonic chord sound like “home.” These sorts of progressions: C-F-G7-C (I-IV-V7-I) C-Am-Dm-G-C (I-vi-ii-V-I) C-Dm-G-C (I-ii-V-I) These are all in the key of C major, and […]
Sometimes when I write a blog post that deals with chord progressions, I realize, usually by emails I receive, that the terminology or symbols that I’m using might be confusing or misunderstood. Because chords are such an important part of music in any genre, different ways to describe and name them have developed more or […]
Most of the time when you switch a major chord to a minor chord, you’re using what’s called a modal mixture, or “borrowed chord.” The most common switch is the change from a major IV-chord to a minor iv, like this: I vi IV iv I (C Am F Fm C) It adds a nice moody […]
Every chord has contains at least 3 notes: C uses C-E-G; Dm uses D-F-A; Em uses E-G-B, and so on. Some chords contain more than 3. For example, G7 has the 3 notes that make up the “triad” part: G-B-D, and then a 7th on top, making it a 4-note chord: G-B-D-F. The root of a chord is the note represented by […]
A verse-chorus chord progression pair refers to two progressions that move seamlessly one to the other, where one has those characteristics of a good verse progression and the other acts as a good chorus one. Before giving examples of these types of pairs, keep in mind that the easiest way is to create one progression that will […]
