The one thing that music theory gives songwriters is vocabulary. With one word or phrase, a musician can describe and communicate an entire idea to other songwriters: “I think if we modulate to E major at that point…” The time you save is incalculable, but theory does more than offer you a communication tool. It is […]
What are the best ways to improve as a songwriter? Is there a point where you reach your best? A point where no matter what you do you can’t look forward to being a better songwriter? That begs the question: How do we learn anything, in the first place? The best teachers out there are […]
When you write lyrics, do you hope that they speak loudly enough to someone else that they sit up and listen — that they can get something positive from your song’s message? There is an interview online with singer-songwriter Jason Mraz, and he was asked this: TT: You seem like a very positive person. What […]
In good songs, there is a sense of connection — or perhaps communication, in a way — between its various sections. You hear the chorus, and it sounds like the logical follower for what the verse offered. So how do we ensure that each section of a song feels connected to what came before it? […]
When was the last time you had a talk with another songwriter? These days, especially when computers, iPads and smartphones play such an important role in songwriting and production, it’s too easy to isolate yourself and forget to communicate. Because one-on-one communication is easy to avoid, you don’t even know that you’re missing out on […]
Good songs are efficient communication devices. But not particularly of facts and figures: if you want to educate your audience about the history of your town, for example, a song is a poor choice for doing so. Unless your song lyric is 80,000 words long, a book will more efficiently convey facts and figures. But […]
