Feist - I Wish I Didn't Miss You

How Listeners Subconsciously Evaluate Song Verses

“Fix Your Songwriting Problems – NOW!” puts the spotlight on seven of the most common errors songwriters typically make, and then offers some quick solutions you can try. Without really knowing it, most people know that verses will be structured differently than choruses. It’s interesting, because if you asked people to describe the differences they’d […]

Songer - Songwriter

Considering Chords When Using a Melody-First Songwriting Process

If you like starting the songwriting process by working out the melody, you’re likely also simultaneously considering the chords that might accompany it. That’s because for melodies that are in a key, it’s practically impossible to hear those melody notes without our brains imagining chord possibilities. If hooks seem elusive when you’re trying to write […]

Guitarist - Songwriter

Chord Progression Basics for Songwriters

Sometimes when I write a blog post that deals with chord progressions, I realize, usually by emails I receive, that the terminology or symbols that I’m using might be confusing or misunderstood. Because chords are such an important part of music in any genre, different ways to describe and name them have developed more or […]

Kacey Musgraves

Writing Songs Reminiscent of an Earlier Time

You hear a lot of criticism these days about pop music, and how everything sounds the same. Not enough creativity, no one going out on a limb. In reality, pop music — at least the kind that makes it to the Billboard Hot 100 — has always been populated with songs that sound the same. […]

The Bee Gees

Chord Progression Transitions Between Song Sections

With most good chord progressions, there is a sense that the progression is making one chord (the tonic) sound like a kind of musical target. As each chord happens, you hear that tonic chord approaching, and when it finally happens it sounds musically satisfying. Example: C  Dm  G  Em  Am  Dm  Gsus4  G7  C (I […]