Creating Chord Progressions that Move from Minor to Major

Here’s an interesting and easy way to create chord progressions that move back and forth from minor key to major. Progressions that shift major/minor focus in this way help to create fluctuating moods that work especially well in song verses and bridge sections. To do this, you need to know that every minor key has […]

John Lenno - George Harrison

Using the Diminished Seventh Chord in Your Progressions

Take a look at the chords in pop music today, and you don’t see the diminished chord being used much. It’s an extremely versatile chord, but it’s possible that songwriters might be a bit confused as to how to use it. And by “use it”, I think many just don’t know how to approach the […]

Elton John

Sometimes Principles Confuse Us

Lately it seems that I’ve been getting a lot of comments, both through email and in the comments section at the ends of various posts, questioning some of the various songwriting principles I write about. Mainly, a comment will go something like this: “You say that chorus progressions are shorter than verse progressions, but I […]

Finding Alternatives to the Standard I-IV-V-I Progression

The typical 3-chord song has been the workhorse of early rock and roll. Go back to the 50s, and it’s the mainstay of most songs. By 3-chord songs, we’re talking usually about this progression: I  IV  V7  I  (C  F  G7  C) And then, of course, the writer might throw something else in, particularly in […]

How to Improvise Your Next Song

I wrote recently about the difference between theory and practice (“What’s Most Important: Theory or Practice?“) The best songwriters are the ones that know a bit of the theory behind what they do, and then spend a good amount of time “practicing” their art. The practical side of songwriting is the actual doing side. In pop […]

Transcribing Songs: The Best Ear Training a Songwriter Can Do

When I was a teenager, I had a somewhat limited knowledge of music theory and how it worked. I think that’s typical for most young people. I played trumpet and a bit of piano, so I could read notes in the treble and bass clef, but I had a very rudimentary understanding of what chords […]