When you listen to great instrumentalists, no matter what genre, you become aware of something important: underneath all those great musical ideas is a foundation in the basics. If you don’t have a grounding in the basics of technique on your instrument, it’s going to show pretty quickly. Everyone knows this. That’s why, if you’re […]
“Adia” (Pierre Marchand, Sarah McLachlan) is one of Sarah McLachlan’s most successful singles, her first top 5 on the Billboard Hot 100 back in 1998. From a musical point of view it’s probably most notable for its beautiful melody and creative chord progression, and well worth a quick study. MELODY The melody (in C minor/Eb […]
If you write a bad song, you’re in good company. Every songwriter writes a bad one. Writing a lousy song is not a reason to stop. It’s not even proof that you’ve done something wrong. Sometimes, songs just don’t work out. If you’re ready to take your songwriting to its highest level possible, you need […]
Every time you create something, whether writing a song, painting a landscape, or writing a novel, you are pulling two vital aspects of artistic creation together: your technical abilities and knowledge, and your creative imagination. In songwriting, we refer to technical abilities by using the word technique, and we summarize the phrase creative imagination by simply referring […]
The best songs exhibit a mix of two things: Predictability. Songs need to sound enough like other songs out there that audiences enjoy your music. Uniqueness. Songs need to sound different enough from other songs out there that audiences don’t feel that you’re simply rehashing other writers’ ideas. And that’s a tricky balance to get […]
For most songs, the verse and chorus melodies are different. That’s the most common circumstance. But there are times, you will notice, when you’ve written a verse and a chorus that sound fine on their own, but don’t seem to work together. On the face of it, it seems that there doesn’t need to be […]
