Yesterday I was in rehearsal with Symphony Nova Scotia for a pair of concerts I’m conducting today. It’s a particularly fun concert – for young children – and it gives the kids a chance to do something that most people never get to do: to play with a symphony orchestra. The concert is based on a […]
There is a reason why treating the principles of good songwriting as if they were rules is a bad idea: you might inadvertently kill a good song. If good musical composition were guided by rules, many number 1 hits would likely have been tossed into the trash bin due to the fact that they did something […]
Do you struggle with the same songwriting issues time and time again? The answer may be at “The Essential Secrets of Songwriting” online store. I occasionally make the following statement when I think people might be listening: You cannot learn to be a songwriter. You can only learn to be a better songwriter. I say […]
It’s interesting that music in pop genres has mainly favoured the tenor male voice. Most songs will sit in either the high baritone or tenor range. I say interesting, because I was reading recently about a recently-completed study that has examined how much we like or are drawn to high or low-pitched speaking voices. You […]
There are commonly-used words in the music world that have several meanings, depending on who’s using the word, and the context in which the word is being used. For example, you’ll find that the word “hook” can mean a short, catchy bit of music, but it also might mean an entire chorus — depending on who’s talking, and on […]
It may seem illogical to save bits of songs that you’ve determined are failures. After all, if you’re trying to write a song and it’s not working out, surely that means that the ideas you’re creating are simply bad ones, and you should toss them and try new ideas. It really depends on what you […]
