Singer - Songwriter - Guitarist

Knowing When to Move On to the Next Song

If you’re ready to take your songwriting to its highest level possible, you need “The Essential Secrets of Songwriting 10-eBook Bundle.” Get the manuals that thousands of songwriters are using. Comes with a Study Guide. Do you ever find yourself wondering when a song you’ve been working away on is actually finished? What I mean is […]

Music Festival

Keeping Your Eye On the Future

As humans, we work best when we have a target to aim for. Imagine a basketball season, for example, that might end with no playoffs, no awards, and no official recognition for anything you’ve done. It would be hard for the players to get excited at all. Songwriting is not much different; we’re supposed to […]

Working On Several Tunes to Avoid Excessive Song Similarity

If you’re still struggling with the fact that all your songs sound similar, the first step in dealing with it might be not to worry: a bit of similarity is not necessarily something that needs to be avoided. After all, if you listen to any hit group, you’re going to notice at least some similarities, and […]

Now, Now - SGL

Getting the Most Out of a Song’s Hook

For most songs in the pop genre, the bit that you really love will be some short, catchy fragment. That fragment — the hook — is the bit that you’ll remember forever about that song. Long after you’ve forgotten almost everything else, you’ll remember that hook. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, […]

Sarah McLachlan

Song Analysis: “Adia” – Sarah McLachlan

“Adia” (Pierre Marchand, Sarah McLachlan) is one of Sarah McLachlan’s most successful singles, her first top 5 on the Billboard Hot 100 back in 1998. From a musical point of view it’s probably most notable for its beautiful melody and creative chord progression, and well worth a quick study. MELODY The melody (in C minor/Eb […]

Piano and guitar - chords

What To Do With a Song Chorus That Isn’t Working

Let’s say you’ve come up with a hook that you think should be something that works well as the main flag-waving part of your chorus. So then you set about to write a verse that leads into that chorus. But once that’s done, and you play the verse and chorus in sequence, you find that the […]