Writing About What You Don’t Know

You’ll hear people say that there’s a kind of honesty in songwriting that comes from writing about the things that you know and have experienced. When you write about things you don’t know, they say, there’s an insincerity problem that you need to overcome. I’m not sure I believe that. I like to take a […]

Guitarist - Drummer

Writing a Songwriter’s Equivalent of a Page-Turner

If you were a novelist, you’d be hoping to write a “page-turner.” As you know, all that means is that the reader simply can’t wait to turn the page to see what happens next. Is there an equivalent to the page-turner in the songwriting world? That concept of anticipation exists in every art form, though […]

Songwriting session

7 Tips for Organizing Your Songwriting Sessions

Got a melody, but don’t know how to add chords to it? “How to Harmonize a Melody” will show you the secrets to finding the chords that work well with your tune. It’s part of the 10-eBook Bundle. If songwriting for you means grabbing your guitar and strumming away until something sounds good, you’re likely […]

Audience at a rock concert

The Power of the People

I’m not a photographer (not a good one, anyway), but I’d rather see photos with people in them than without, no matter how exciting the landmark is that I’m shooting. The simple reason is that we make connections to people more so than to inanimate objects. There’s more to a song hook than meets the […]

Love songs

Good Lyrics Create (Rather Than Describe) Emotions

I read an interview with Paul McCartney once where he talked about the choice of words in “She Loves You.” In particular, he and Lennon considered it a bit risky to be singing a song about “he” and “you”, since most love songs put the singer front and centre. In other words, musical logic dictates […]

Linda Creed - Thom Bell

When Melodies Leap Upward

There’s no denying that the shape of a melody has a lot to do with the mood of music. However, melodic shape is a tricky one to calculate. It’s not based on a rule as much as it’s based on psychology. On a psychological level, we know, for example, that: melodies that are static, sitting […]