Musical instruments for songwriting

Using Different Instruments to Write Better Songs

If you use one particular instrument to write all your songs, you’re likely running up against a problem: all your songs start to sound the same. I just wrote about song similarity in my most recent post (“Working On Several Tunes to Avoid Excessive Song Similarity“), in which I suggest that one great way to […]

Singer - Songwriter

Working On Several Tunes to Avoid Excessive Song Similarity

If you’re still struggling with the fact that all your songs sound similar, the first step in dealing with it might be not to worry: a bit of similarity is not necessarily something that needs to be avoided. After all, if you listen to any hit group, you’re going to notice at least some similarities, and […]

Bruno Mars - The Lazy Song

Making the Best Use of Motifs in Your Songwriting

For most songwriters, defining a hook is simple: it’s that catchy bit that makes up the main part of the chorus. It usually comes back over and over because that’s what choruses do — they reappear after every verse, and then again after the bridge. A hook is good if it has a melodic shape […]

Songwriter at piano

Breaking Away From Using the Same Old Chords

There is a kind of musical “muscle memory,” where we keep relying on the same musical ideas as we write our songs. Practically every songwriter is familiar with it: similar sounding melodies, the same (or almost the same) chord progressions, the same kinds of lyrics, and so on. A bit of similarity between songs you […]

songwriting

If All Your Songs Sound Similar: Some Fixes For That

Everyone has a songwriting style, and if you listen to enough of someone’s music you’ll start to hear those similarities, assuming it’s not immediately obvious. Similarity between songs is not a horrible wrong that must be corrected. It’s unavoidable. And it’s a part of being creative in the sense that creativity usually builds on things […]

Connecting Melodic Ideas Between a Verse and Chorus

How much of a connection should a listener hear between the verse and chorus? In other words, except for tempo, key and general feel, can a verse melody set up a chorus well if it bears little to no similarity to that chorus melody? Take the classic hit “Witchy Woman” (Don Henley, Bernie Leadon). Compare […]