Songwriter in Home Studio

Writing Better – Writing More

You should not necessarily worry if it takes you weeks or months to write a complete song while all your songwriting colleagues are getting the job done in days, sometimes hours. How long it takes to finish a song rarely has anything to do with how good it is. Having said that, it’s going to […]

Singer - Songwriter

Creative Exhaustion

What we call writer’s block has many possible causes, but most of them related to fear, and in particular a fear of failure. But fear is not often the first step in a creative block. For many songwriters, it’s creative exhaustion. Chapter 5 of “The Essential Secrets of Songwriting” shows how melody and lyric need to work […]

Songwriter - Pianist

The Hummable Melody

I have a theory as to why so many songwriters like to start with chords: it’s because chords give you: a mood; a musical landscape; the start of a musical form. In very short order, you can easily come up with 8 bars of music when you’ve got 3 chords, even if you don’t have […]

Jack Garratt

What the Direction of Your Melodies Does For the Meaning of Your Songs

I’m a fan of any songwriting process that requires concentrating on the melody first. The main reason I like melody-first writing is that you’re concentrating on the part of a song that’s the most hummable, and the easiest for someone to remember. If there is one criticism I have of melody first processes, it’s that […]

Singer - Songwriter

When Your Newest Song Sounds Like the One You Wrote Last Week

It’s tricky, writing music that pleases your target audience. They want every song to sound unique and fresh. But at the same time, they want to hear the kind of music that attracted them to you in the first place. So you try to write something that goes in a refreshingly new direction, and they give […]

The Moody Blues - Nights in White Satin

Going From Simple to Complex In Your Songwriting Process

“Nights in White Satin” (1967) is one of The Moody Blues’ biggest hits. Most people know it in its “single” version — a bit over 4 minutes in length. But its full-length version, complete with orchestral introduction and interlude by the London Festival Orchestra, is a multi-sectional work of more than 9 minutes – a […]