songwriting session

Why Studying Old Songs Helps You Write New Ones

You’ve probably noticed that great songwriters, when being interviewed about what they do, often talk about old songs. They’ll talk about the songs of their youth, and sometimes even further back. If you’re writing songs that you hope are on the cutting edge, songs that you hope sound fresh, new and innovative, it begs the question: […]

Carole King

Keeping Your Listeners Excited to Listen For the Full 4-Minute Experience

One of the most powerful and effective aspects of songwriting is creating a sense of expectancy. That term expectancy refers to a song’s ability to make you want to hear what happens next. Without that quality of expectancy, a song would have no ability to keep listeners listening. The best element to look at to see expectancy […]

Song energy

Song Energy Needs to Move Up and Down

When we think of the term musical energy, we might immediately think of loudness and tempo. But as a songwriter, you need to develop a slightly more sophisticated understanding of how musical energy works, and what it can do to make people want to listen to — and come back to — your songs. If you’re […]

Microphone

Songwriting Principles Are Often Clearer In Older Songs

Sometimes you’ll find that studying songs from a genre not your own is a really great way to expand on what you do. Songwriting principles usually apply across genres, and hearing a principle demonstrated in a different genre can act as a kind of metaphor for your own. The same thing happens when you study […]

Now, Now - SGL

Getting the Most Out of a Song’s Hook

For most songs in the pop genre, the bit that you really love will be some short, catchy fragment. That fragment — the hook — is the bit that you’ll remember forever about that song. Long after you’ve forgotten almost everything else, you’ll remember that hook. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, […]

Piano and guitar - chords

What To Do With a Song Chorus That Isn’t Working

Let’s say you’ve come up with a hook that you think should be something that works well as the main flag-waving part of your chorus. So then you set about to write a verse that leads into that chorus. But once that’s done, and you play the verse and chorus in sequence, you find that the […]