Given the few notes within an octave and the millions of songs that have been written using them, accidental plagiarism is a constant companion for most songwriters. Every time you come up with a great songwriting idea — especially something that you really like — you’re immediately wondering if you’ve stolen the idea from an […]
It’s a stereotypical notion that major keys sound happy and minor keys sound sad. In reality, it takes a lot more than simply choosing major or minor. You can have sad songs in major keys (“Someone Like You” – Adele, Dan Wilson), and you can have happy songs in minor keys (“Happy ‘Cause I’m Going […]
You may be familiar with the term relative major — that’s the major key that uses the same key signature as a particular minor key. It’s a very common key relationship in pop songs, because if you’ve written a song that uses a minor key verse, and you decide to switch to major for the chorus, […]
A bridge section, sometimes also called the middle eight, is an optional section that usually happens after the chorus’s second appearance in a song, or after the second verse or refrain for songs that don’t use a chorus. Songs With a Chorus Verse – Chorus – Verse – Chorus – Bridge – Final Chorus Repeats or Verse […]
There is research out there that tells us that people like listening to sad music. It doesn’t necessarily bring them down, and in fact can have an opposite, buoyant effect. That’s because as listeners, we want to feel something, and as long as whatever the sad song is about isn’t describing our own state of affairs […]
Is putting chords and melodies together one of your biggest challenges as a songwriter? Every song is unique, and uniqueness can sometimes make it hard to understand how chords can and should be supporting the form of your songs, and the melody notes above them. If you like starting songs by working out chord progressions, […]
