Songwriter - Pianist

When Your Song’s Hook Isn’t Doing Its Job

A hook has several defining attributes that all partner together to make it memorable and catchy: It’s main identifying characteristic is its shortness, making it easy to remember. It has a melodic component that frequently includes some sort of leap, usually upward (“Born in the U.S.A.”). It has a rhythmic component that frequently includes a […]

How Interesting Your Chords Are Isn’t the Most Important Part of a Song

However you start the songwriting process, you’re likely starting with the aspect of music with which you feel most comfortable. Start with lyrics? You probably find words easy to combine and finesse. Start with chords? You likely feel most comfortable setting the mood and colour of the music. If you’re a chords-first songwriter, you’re probably […]

Tracy Chapman

Using the Way Your Melodies Move to Enhance Musical Meaning

Thousands of songwriters are using “The Essential Secrets of Songwriting 10-eBook Bundle” to improve their songwriting technique. Become the most consistent songwriter you can be! If you like melody-first songwriting processes, you know there are several ways to proceed. Here’s one method, for example: You coming up with a melody, or fragment(s) of melody. You […]

Rob Thomas

Increasing Musical Energy In a Song

It’s a basic principle of good songwriting that musical energy should either stay the same or increase — rarely decrease — as a song progresses. If you listen to the start of Verse 1 end of most songs, and then skip ahead to the final moments, you’ll notice that an energy build has taken place. […]

Imogen Heap

Finding Opposites Within Your Songs

There’s an analogy to be found that applies well to songwriting when you look at someone walking: as the right leg moves forward, the left leg moves back. If you haven’t noticed that before, you haven’t been paying attention. 😉 In music, a similar thing happens, though you may have to look a little harder […]

Shawn Mendes

The Same Melody From Different Angles

This is something that doesn’t necessarily occur to casual listeners to pop music: the number of times we hear a melody that’s really just the same short 4- or 5-note cell that gets repeated over and over with different chords underneath. Like starting the songwriting process by working out the chords first? There are benefits […]