It’s quite normal to come up with a catchy chorus hook as a first step in your songwriting process, since the hook contains elements that are easily sung, played and remembered. But once that hook has been developed, you might find that your creative mind lets you down: what do you do next? If you’re trying […]
For most songwriters, talking about “the hook” means talking about the chorus, at least the main part of the chorus melody that’s catchy and immediately identifiable. If someone asked you to sing the most identifiable part of Derek & the Dominos’ “Layla”, you’d start with the opening of the chorus (“Layla/ Got me on my […]
Occasionally I write about goal-oriented songwriting on this blog, but haven’t done so for quite a while, and I think it’s worth describing it and encouraging you in that direction from time to time. In songwriting, a goal-oriented approach means that you write one particular section of your song, and then you write the section […]
For a lot of people, a song hook is hard to define, but you certainly know it when you hear one. There are many different kinds of hooks (intro hooks, instrumental hooks, lyrical hooks, etc.) but by far the most common kind is the chorus hook. In fact, many songwriters, particularly in the pop genres, […]
If there is one problem that practically all songwriters deal with, it’s this one: the inability to finish a song. Most songs will start with something captivating: a great little hook, a catchy bit of chord progression, or perhaps a short idea for a melody. And they start with great promise. So for those songwriters […]
You’ll wind up with a better song if you’re willing to experiment and change the things you’ve written. You like to think of your song as being kind of like your “baby” — you’re willing to accept it, warts and all. But before you fall irretrievably in love with your song, experimenting by changing bits […]
