You hear a lot of criticism these days about pop music, and how everything sounds the same. Not enough creativity, no one going out on a limb. In reality, pop music — at least the kind that makes it to the Billboard Hot 100 — has always been populated with songs that sound the same. […]
When we use the word “clever” in songwriting, we’re usually talking about lyrics. In that context, a clever lyric means any one of the following: There’s a double meaning going on that might not be immediately obvious. (i.e., the song isn’t about what it appears to be about) There are common words being used in […]
A strong hook is only part of what makes a pop song successful. Your song might have a catchy hook, but if it generally avoids some of the more important principles of songwriting, that hook won’t save it. In fact, a good hook can be wasted on a song that has other obvious problems. All […]
I’m fond of pointing out the similarities between all the different genres of music, because it reminds me that no matter what style of music we call our own, we’re all trying to do the same thing: touch the emotional soul of the audience. For most musical genres, the main differences with songs lie in […]
It’s a dangerous can of worms to open if you dare ask someone, “What is good music?” Most of the time, people misunderstand the question and think you’re really asking, “What are your favourite songs?”, or perhaps “What is your favourite style (genre) of music?” There is an important difference between “What is good music?” […]
Rules and songwriting don’t go together, in my opinion. I like to think in terms of guidelines and principles, because those don’t insist so strongly on being followed, at least not as much as rules do. And if we wrote everything to accommodate a rule, where would we find the possibility for creativity? People say that “rules are […]
