You may have heard the word motif before and wondered what it is, and how it might apply to songwriting. It’s a term that’s somewhat similar to hook — and that’s a word you’re probably a lot more familiar with. A hook is a musical idea that repeats throughout a song, though we often associate it chiefly […]
These days you might be listening to Handel’s “Messiah,” and even if you don’t know that work, you no doubt know his “Hallelujah Chorus” which ends the second part of the oratorio. “Messiah” is a lengthy work consisting of fifty-three movements, and listening to the entire piece will take you more than two hours. (Most […]
If you ask any songwriter which process they use, they’ll probably tell you that it differs from song to song. For most, it really depends on which musical fragment makes its first appearance in their musical mind. If it’s a bit of lyric, they’ll most likely to start by filling out that fragment with more […]
It’s a common problem for most songwriters at one time or another: you come up with something that’s really catchy, and sounds like the start of a killer song. But then… nothing. You just can’t seem to move beyond that catchy fragment of music. What can you do? On track to make songwriting a full-time […]
If there is one problem that practically all songwriters deal with, it’s this one: the inability to finish a song. Most songs will start with something captivating: a great little hook, a catchy bit of chord progression, or perhaps a short idea for a melody. And they start with great promise. So for those songwriters […]
Here’s an alternative to always thinking in the verse-chorus format: try creating three short melodic fragments, all in the same key, and then putting them together to create a complete song. Don’t worry or think about which one is the verse or chorus. If you want a real example of what I’m talking about, you […]
