In most songs, the chorus is considered to be, musically speaking, more energetic than the verse. There are lots of ways that the higher energy is attained, some of which are the producer’s responsibility: instrumentation, playing style, volume, etc. And some of ways to achieve higher energy are the songwriter’s responsibility: higher emotions in the […]
Most songs use several distinct melodies. If your song has a pre-chorus and bridge, that means that you might need to come up with at least four different melodies. Each one of those melodies will likely use a different chord progression, and they might also use very different rhythms. “The Essential Secrets of Songwriting”Lyrics become […]
If you’re not a writer or performer of music, then it’s logical to say that music is something that you only ever listen to or dance to. That usually means that when you listen to songs, you make a quick (usually subconscious) judgment about whether or not you like the song. If you like it, […]
Generalizing any aspect of a songwriter’s output is straying into dangerous territory. That’s particularly true of the music of Lennon and McCartney. They were arguably the most versatile writers of pop song of their generation, and probably even now. As soon as they wrote a hit, it was back to the drawing board to come […]
Time is the one thing all music has in common. Whether we’re talking about a symphony, a pop song, a jazz ballad — whether it’s hip hop, ska, r&b — all music takes time. A start, a middle, and an ending. When we’re writing a song, we’re (either consciously or subconsciously) always considering some aspect […]
For many songwriters, getting a catchy melody for your song happens as the result of improvising melodic ideas over a chord progression. If that’s your normal process, it’ll usually work well for you. But improvising ideas should always be seen as a first step to getting a final version of a melody that really works. […]
