In the past ten years or so of pop music, it’s become much more of a thing to write hit songs that are mostly based on one single chord progression. It sounds like it would just result in music that is repetitive and boring. Or perhaps the better way to say that is: the job […]
Stream of consciousness writing means to put down your thoughts as they occur to you – literally a continuous stream of thoughts, ideas, opinions in as close to real time as you can get. One of the most interesting (some might say negative) characteristics of stream of consciousness is the fact that there is no time […]
I did a post recently dealing with categorizing chords to make them easier to use. We know that in any key, the I, IV and V-chords comprise what we call primary chords, and they are the most common ones you’ll find in most pop songs. Beyond those three, the ii, iii, vi and vii-chords are categorized as secondary chords, […]
Every key has seven chords that exist naturally within that key. And they’re easy to find. First, take any key (C major, for instance), and play a chord that uses each note of the scale as a root. To know if you should be playing a major, minor or diminished chord, follow this simple guide that uses […]
There are very few songs on the Rolling Stones List of 500 Greatest Songs of All Time that made it to the list because of their stunning chord progressions. Chord progressions, when they work well, should almost disappear into the background of your song. Occasionally it’s nice to throw a chord in there that grabs attention, but […]
If writing music were easy, I doubt we’d stick with it. One of the reasons we write is because it’s not always easy. Sometimes, coming up with music that sounds great means working and reworking. It’s a process that takes time and experimentation. But that battle of getting music right is the “fun.” In some ways, the longer […]
