Guitar - chords - songwriter

Fitting Melodies to Chords, and Vice Versa

Melody notes only sound right if the chords underneath them fit properly. If you’re a chords-first songwriter, you need to say it the other way — chords only sound right if the melody you eventually write fits them. But in any case, good songs are a partnership between melodies and chords, and then they need to […]

Julia Michaels - "Issues"

Getting a Song Working Before the Recording Process

When we talk about musical energy or momentum, we’re often talking about how loud, quick or rhythmically complex a song is. We think of songs that have energy as songs that get us moving. But in fact, energy is more complicated than that. All songs have energy, even the very quiet, slow ballads that are […]

Matching a Chord Progression to the Mood and Message of Your Song

In yesterday’s post I wrote about two-chord progressions, and how a song practically never suffers from a chord progression that’s short or boring. While that’s true, it doesn’t mean that a chord progression can’t help strengthen your song’s structure. If you’re hoping to give stronger meaning to your lyrics by using more creative chords, you […]

Creative Chord Progressions

Chord Progression eBook Free Offer

Lately I’ve been getting lots of very good questions from songwriters by email regarding chord progressions, and most of those questions deal with some aspect of how to make chords a bit more creative without making them sound… well, like garbage! I thought now might be a good time to go back to offering my […]

Finding Alternatives to the Standard I-IV-V-I Progression

The typical 3-chord song has been the workhorse of early rock and roll. Go back to the 50s, and it’s the mainstay of most songs. By 3-chord songs, we’re talking usually about this progression: I  IV  V7  I  (C  F  G7  C) And then, of course, the writer might throw something else in, particularly in […]