Let Me Introduce My Song

by Gary Ewer. The ideas in these blog articles are the sorts of ideas you’ll find in Gary Ewer’s Songwriting e-books: A favourite pet peeve of mine is the mindless sort of one-chord intro that gets stuck onto the front end of an otherwise pretty good tune. Your song deserves better. If you’ve got the imagination to create […]

The Psychology of the Melody

by Gary Ewer, from “The Essential Secrets of Songwriting” website: For most songs, melodies are what we use to convey our lyrics. And it’s important to realize that in general, the kind of melody we write for use as a chorus will not be the same as what we’d write for a verse. There’s psychology that […]

Chords for Minor Key Songs

by Gary Ewer, from “The Essential Secrets of Songwriting” website: Looking for chords to harmonize your minor-key song? There are actually two different ideas out there for what it means to be “in a minor key.” The one idea is based on traditional harmony, while the other is a more “modal” approach. I’ve put some […]

Songs Without Contrast: Can You Say "BORING?"

by Gary Ewer, from “The Essential Secrets of Songwriting” website: Contrast is what sets the different sections of your song apart. And a song without enough contrast will make it about as interesting as your Great Aunt Bertha, who just keeps saying the same thing. Contrast, simply put, means that one part of your song says […]

Writer's Block: When You Just Can't Write Good No More

by Gary Ewer, from “The Essential Secrets of Songwriting” website:   Writer’s Block: When You Just Can’t Write Good No More Every songwriter suffers from it from time to time. The ideas just don’t happen. And even when they do, you don’t know what to do with them. Writer’s block is curable if you really […]

The Descending-by-Thirds Chord Progression

by Gary Ewer, from “The Essential Secrets of Songwriting” website: There’s nothing random about a good chord progression. Starting on any chord, descending by 3rds will give you a great one to try. Let’s use the key of A major as our example. Starting on the tonic chord (A), then allowing the progression to descend […]