Changing Up the Form of Your Song

When we talk about the form of a song, we’re usually talking about the arrangement of its basic elements such as verse, chorus and bridge. That word form, though, can refer to other things: aspects of the lyric, the design of a melody, or how keys are established and changed as a song progresses. Listeners to […]

Songwriter - guitarist

Pre-Chorus and Bridge: The Similarities and the Differences

The most recognizable section of practically any song will be the chorus. That’s because it’s likely to contain the “hookiest” part – the melodic/rhythmic idea that everyone will recognize. The verse melody is also going to be recognizable for the fact that it starts the song — it’s the first thing people hear. Get “The Essential […]

Maroon 5

Smoothing Out the Connections Between Song Sections

In good songs, there is a sense of connection — or perhaps communication, in a way — between its various sections. You hear the chorus, and it sounds like the logical follower for what the verse offered. So how do we ensure that each section of a song feels connected to what came before it? […]

Andy Grammar

The Repeatable Quality of Great Chorus Hooks

In the pop music genres, a great chorus is a self-contained unit. It doesn’t need a verse in order to work, musically speaking; it will work on its own. That’s certainly not to say that a chorus is all you need, or that a verse serves no useful purpose. In most songs, if all you […]

Adele - Someone Like You

Checking and Comparing Verse and Chorus Melody Range

For many songwriters, getting a catchy melody for your song happens as the result of improvising melodic ideas over a chord progression. If that’s your normal process, it’ll usually work well for you. But improvising ideas should always be seen as a first step to getting a final version of a melody that really works. […]

Imogen Heap Recording Tital

A Powerful Way To Plan An Entire Song

If you are a fan of the music of J.S. Bach, you might know that he often took the shape of a small melodic fragment, and then planned for the entire piece of music to also adopt that shape. Here’s how that might work. If you listen to the beginning of Bach’s Brandenburg Concerto No. […]