With a good song, there’s a strong sense offorward motion. How you know that forward motion is there and working for you is by your own sense of anticipation: if you find that at any given moment in your song, you want to hear what happens next, that’s the vital sense of forward motion working for […]
by Gary Ewer, from “The Essential Secrets of Songwriting” website: A non-diationic chord is one which does not normally belong to your key of choice. In the key of A major, the seven naturally-occuring chords are: A, Bm, C#m, D, E, F#m, and G#dim. Of those chords, there are countless ways of modifying them by adding tones (Aadd9, […]
by Gary Ewer, from “The Essential Secrets of Songwriting” Website: Once you know what key your new song is going to be in, it’s a fairly simple process to figure out the triads (chords) that easily work in that key. You’ll find that the I (key) chord, the IV chord (based on the 4th note) […]
Written by Gary Ewer, Senior Instructor, Dalhousie University, from “The Essential Secrets of Songwriting” website. • Follow Gary on Twitter • Good songs sell! Check out “The Essential Secrets of Songwriting” 6 e-book bundle – available now at a 50% savings! ________________________________ It might surprise you to know the aspects of songwriting that are not covered by copyright. In […]
by Gary Ewer, From “The Essential Secrets of Songwriting” website: Songwriters often go looking for the elusive “killer chord progression”. It doesn’t really exist. Not because there aren’t great chord progressions out there, but more because chords don’t just work on their own. How good a set of changes is depends on what else is […]
by Gary Ewer, from “The Essential Secrets of Songwriting” website If chord progressions mystify you, Gary Ewer’s e-books will give you hundreds of progressions you can use right now, as is, or modify them to suit your latest song. Click here to read more. ____________________ My main duties in the Dalhousie University Department of Music center […]
