I’ve often said that if you’re not doing something unique in your songwriting/performing, you’re missing the opportunity to add something remarkable to the music world. Being unique does not need to mean being strange, or at least certainly not overly strange. Most of the time, what you feel comfortable doing as a songwriter will be constrained […]
I love when songwriters create music where it sounds like something complex is going on, but when you put the magnifying glass on it, it’s really pretty simple. I’m focusing on chord progressions here, and the best example of a simple progression that sounds like it’s doing something a bit more involved is James Taylor’s […]
Most songwriters I know are well able to keep two, and often more, songs on the front burner at any one time. Working on several songs simultaneously isn’t really all that hard to do, as long as you follow a few basic tips. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build […]
Everyone has a songwriting style, and if you listen to enough of someone’s music you’ll start to hear those similarities, assuming it’s not immediately obvious. Similarity between songs is not a horrible wrong that must be corrected. It’s unavoidable. And it’s a part of being creative in the sense that creativity usually builds on things […]
Since the vast majority of songs (probably 98% or more) that make it to the charts in any genre use a time signature of 4/4, we can surmise that producers think that that most common of time signatures is part of a winning formula. Most of the time professional producers get these things right, but […]
Every songwriter has a style. If you’re a well-known writer, that style may be part of what makes your new song immediately identifiable to your listeners, even before they hear that you’re the one who’s written it. More often than not, however, a song’s style of performance is what will give the song’s authorship away, not […]
