Good songwriting almost always comes about by following some basic principles. Those principles are not cast in stone, of course. If they were, we’d call them rules. For some songs, the principles seem obvious and clear, and you don’t have to do a lot of thinking to know why those songs work so well. For […]
In most songs, key changes happen for any one or more of the following reasons: It raises musical energy. The most typical example of this is the song that has a minor key verse, then switches to a major key chorus. That brightening of the key from minor to major increases musical momentum as it […]
As a songwriter you likely think sectionally. All that means is that you’re always aware of what part of the song you’re in. The downside of this kind of sectional thinking is that if something is going wrong with, let’s say, your verse lyric, the tendency might be to fault the entire section of lyric, when the […]
For every song you love, you can probably name at least one aspect or element of that song that really clicks with you. In other words, even though all good songs are a partnership of good ideas, there are usually one or two that really stand out. It might be something basic, like the groove. […]
The concept of imagery in lyric writing is a simple one: using words to create images or ideas in the mind of the listener. You could argue that practically all lyrics will do this, even if they’re not specifically thought of as being a good example of imagery. Are you trying to make your lyrics […]
You may not think of many of the early Beatles songs as using complex or unusual chord progressions, but for their day, they were noticeably creative. Where so many other early- to mid-era rock and roll songs were barely straying beyond the basic I-IV-V-I kinds of progressions, The Beatles were throwing in modal mixtures, secondary […]
