Why do so many songwriters swear by the power of the hook? It’s because the hook, by definition, can reel in a listener, and keep them humming your song all day long, for days, weeks and even years to come You can’t ignore the power of a well-placed, well-composed hook to drive your song into […]
The last two of the eleven principles of songwriting refer to the creation of a hook. A hook is a short, memorable component of a song that occurs from beginning to end. The chief purpose of a hook is tocreate in the listener’s mind something catchy that just won’t go away. I often think that songwriters […]
Writing a good melody requires several things all working together; chief among them are lyric and harmonies. A melody is good if it seems to complement the emotion of the lyric. The harmonies, of course, need to support the melody. Beyond that, there is another important issue which is often overlooked: melodic shape. Melodies need countour. While there […]
Many songwriters become fixated on one aspect of a song, to the detriment of the others. In my experience, more songwriters worry about their chord progressions than anything else. If you find chords hard to come up with, that fixation may make sense. But the most important element of a song may not actually be any […]
You might think that when I talk about “strong” progressions I’m really talking about “good” ones, but that’s not what I’m referring to. A strong chord progression has a particular set of characteristics that contrast with the other category: fragile progressions.Good songs use a combination of strong and fragile progressions. So what is the principle […]
When we speak of the energy of a song, it’s probably obvious what we’re talking about. In short, it’s that unseen force within a songthat causes our body to move with the music. All songs have energy, even the very quiet, serene ones. The successful song does not deal so much with how much energy a […]
