Most songs in the pop genres use simple chord progressions. “Simple” means that they target the tonic chord — the chord that represents the song’s key — and make that tonic chord sound like “home.” These sorts of progressions: C-F-G7-C (I-IV-V7-I) C-Am-Dm-G-C (I-vi-ii-V-I) C-Dm-G-C (I-ii-V-I) These are all in the key of C major, and […]
Songs that use the same progression for the verse and chorus aren’t unusual, but when you write that kind of song you need to think about other ways to create contrast between verse and chorus. Most songs need that contrast, because it’s contrast that keeps audiences interested on a musical level. And chords often play […]
Consulting a list of chord progressions can be a great thing for songwriters who just want to explore new sounds and find new directions for their music. And since chord progressions usually can’t be protected by copyright, you’re free to take them and use them however you want. (See my collections here.) But if all […]
A verse’s chord progression is sometimes short and strong, sometimes long and wandering. But no matter what its character, or how long or short it is, it usually does one important thing: it aims for the first chord of the chorus. Sometimes a verse will start in a key that’s different from the chorus. Often […]
If you’re bored with your chord progressions, you’re likely to opt for throwing them out and creating ones that are more creative. The problem with that approach is that you can wind up with chords that just don’t work well together, all for the sake of finding something more interesting. If you’re serious about songwriting, […]
In a movement from a classical symphony, the music isn’t divided up into verses and choruses as is typical for pop songs. You’re more likely to see reference to sections called “1st theme”, “2nd theme”, “transition”, “development”, “coda”, and so on. With pop songs, you get a definite feeling that the basic energy of the music changes […]
