Consulting a list of chord progressions can be a great thing for songwriters who just want to explore new sounds and find new directions for their music. And since chord progressions usually can’t be protected by copyright, you’re free to take them and use them however you want. (See my collections here.) But if all […]
A verse’s chord progression is sometimes short and strong, sometimes long and wandering. But no matter what its character, or how long or short it is, it usually does one important thing: it aims for the first chord of the chorus. Sometimes a verse will start in a key that’s different from the chorus. Often […]
If you’re bored with your chord progressions, you’re likely to opt for throwing them out and creating ones that are more creative. The problem with that approach is that you can wind up with chords that just don’t work well together, all for the sake of finding something more interesting. If you’re serious about songwriting, […]
In a movement from a classical symphony, the music isn’t divided up into verses and choruses as is typical for pop songs. You’re more likely to see reference to sections called “1st theme”, “2nd theme”, “transition”, “development”, “coda”, and so on. With pop songs, you get a definite feeling that the basic energy of the music changes […]
One of the interesting qualities of music is its ability to affect our mood, perhaps even to generate certain moods. Politicians certainly know this; musical choice is an important consideration at rallies and speeches. There are some aspects of music that immediately come to mind when we think about controlling the mood a song portrays. […]
If you have a chord progression that works but doesn’t do much to inspire you, you can of course toss it and look for another. But with the simplest of changes, you can take a progression from being mundane to something much closer to awe-inspiring. So let’s say you’ve got the following simple progression: C […]
