Intros are meant to identify a song, and, more importantly, entice people to keep listening. They do this usually by setting up the mood, the key and tempo (though not necessarily, as you’ll see below). A good intro acts an identifying banner or flag for the rest of the song. If you find yourself always […]
It’s important to realize that what you’re dealing with in songwriting is getting an audience to feel something, more so than telling a story. True, your song will involve telling a kind of story– a lover who tosses you away, or perhaps a plea to the world for more kindness — but what it comes down […]
It’s an important principle in good songwriting that all elements within any song should act as partners. We know, for example, that the mood of a song can be strongly affected by the tempo we choose, and also by production choices: instrumentation, performance style, and even the key. A lyric can be excellent, but if […]
There’s nothing like the term “song form” to have one’s eyes glaze over. In songwriting, you just want to get going with your writing. And you’ve probably written dozens of songs up to this point without even giving the term “form” a second (or even a first) thought. When we talk about form, we’re talking about […]
A verse-chorus chord progression pair refers to two progressions that move seamlessly one to the other, where one has those characteristics of a good verse progression and the other acts as a good chorus one. Before giving examples of these types of pairs, keep in mind that the easiest way is to create one progression that will […]
It’s an important principle in songwriting that all elements of a song — lyrics, chords, melodies, even instrumentation — act as partners within a song. In other words, lyrics, for example, will be at their best when the chords seem to communicate the mood and meaning of the words. Similarly, the melodies will bring the […]
