There are many ways to improve your skills as a songwriter, and the best songwriters use a combination of many. These will include: Discussions with other songwriters. Discussions with other non-songwriting musicians (including players, producers, engineers, etc.) Studying the craft of songwriting (via written texts, videos, one-on-one sessions with instructors, etc.) Keeping a songwriting journal […]
For most songwriters, the act of songwriting is about 10 percent imagination/creation, and then 90 percent working and reworking those ideas until a song is complete. Because of that, don’t be surprised if the first ideas you get for a song seem a bit lame. It can take some time before everything sounds the way […]
Musical energy is a subtle element. Most of the time people will think you’re talking about either loudness or rhythmic activity when you’re talking about energy. And while that’s often true, there’s a lot more to it. If you like starting songs by working out chord progressions, you need this eBook: “Writing a Song From […]
Writer’s block is lousy when it happens, but most of the time it’s either mild or moderate, and given time, it will usually solve itself. Severe writer’s block is a more worrying creative block, because it can sometimes be very long term, or even permanent. But you likely don’t have that, so don’t worry about it. […]
I was asked by the folks over at Songwriting.net to write an article for their website. They posted it yesterday, entitled “7 Ideas for Creating Chord Progressions.” I hope you’ll take a look. I’ve put a short excerpt below: There are basic principles about the way chords work that aren’t much affected by genre. What […]
I talk a lot about the concept of “fragile” versus “strong” in songwriting, and particularly when I’m talking about chord progressions. In that regard, “strong” means “clearly indicating the key with a short, unambiguous set of chord changes.” With chords, “fragile” means the opposite: making the key less clear — less obvious, by creating a […]
