There’s so much about songwriting that seems random. You could choose practically any chord progression, any melodic shape, any hook, any combination of words for the lyric. So when you look at it that way, it seems that randomness is a key feature of songs. The success of a pop song often comes down to […]
It seems that the songs that everyone really wants to hear during the Christmas season are the classics — the ones that have been around for the past 7 or 8 decades, or even longer. It begs the question: Can anyone write a new holiday tune that has a hope of taking its place along […]
What are the main differences between a verse and chorus that you should be concerned about as a songwriter? You’re likely aware of all the commonly-known ones: Keep the verse melodic range a bit below the chorus. Allow melody notes of the chorus to elongate, especially on title words. Prevent your verse lyric from getting […]
Let’s say you’re on a bus or out for a walk, and you’ve just come up with a great little bit of melody. It’s got great possibilities, you’re thinking, but you’ve always found it hard to remember the tune after even ten minutes, and you feel a bit too self-conscious to dig your phone out […]
A key part of success when it comes to song melodies is writing something that audiences easily remember. If it’s possible to consider beauty and memorability as two separate entities, it’s worth spending a bit of time thinking about a) what makes melodies beautiful, and b) what makes them easy to remember. You’re going to […]
If the songs you write come about as a result of improvising — either by yourself or with other songwriters/players — you probably find that the various components of a song come together in layers. A bit of this, a bit of that, and it all eventually glues together. If you’re writing songs by yourself, […]
