Here’s something interesting: the melody that Paul McCartney uses as his verse melody for “You Never Give Me Your Money” (“Abbey Road” album) serves, for all intents and purposes, as a bridge melody for “Carry That Weight.” True, the fact is that its appearance as a bridge melody is overshadowed by the fact that its main […]
A bridge is the section of a song that typically comes after the second chorus in verse-chorus songs. In verse-only songs, like “I Should Have Known Better” (Lennon & McCartney), the bridge will usually come after the second verse. For many songwriters, the question of whether or not to use a bridge (or any other […]
If you’ve got a melody, but don’t know how to add chords to it, you need to read “How to Harmonize a Melody.” It will show you, with sound samples, a clear step-by-step for adding chords that will make your melody sound great. In most pop songs, the chord progressions you’ll find yourself using will […]
If you look at the description of Lennon & McCartney’s “I Saw Her Standing There” in the Rolling Stone’s 500 Greatest Songs of All Time list, you’ll read this: This song had been written by McCartney two years earlier. After penning the first line – “She was just 17” – McCartney wanted to avoid completing […]
Most works of art, whether you’re talking about songwriting, poetry, the painting of a landscape, or anything else, really, are comprised of some element that acts as a focus, and then many surrounding, supporting elements. For example, you might photograph a landscape that features a beautiful pine tree as the main element — the object that immediately […]
A time signature is not something that gets a lot of attention when we think of pop songs, and truth be told, it’s possible to write great music without giving it much thought. Most songs are either in 4/4 time or some other arrangement of strong-beat/weak-beat meter. As you begin the songwriting process, you’ll likely start strumming […]
