Most songs have a moment that can be identified as being its climactic moment. More often than not, it’s somewhere toward the end. Climactic moments are sometimes easy to identify: “Bridge Over Troubled Water” (Paul Simon): You can hear the song constantly building, and, like many songs, is really a series of climactic moments, each […]
If you write your own lyrics, I hope you know the value of creating word lists. One benefit is obvious: once you have a general topic, lists of pertinent words will give you the basic vocabulary from which you can pull together a lyric. But there is another benefit that you may not be thinking […]
Some lyrics are stories, and so there’s a simple answer to the question of how much of a lyric needs to be understood: darn near all of it. The beauty of story lyrics is in the way you say things, and the imagery you use. There’s more to a song hook than meets the ear… a […]
A good lyric might use clever rhymes. And it might use no rhymes. You might write a lyric that’s long and involved, or you might write one that uses very few words. Your lyric might be a story. Or the story might be only vaguely implied. You may write about love, or you might write […]
Deciding what your next song could or should be about can stop your creative process in its tracks if you let it. You’ll be happy to know that great songs don’t need to be profound. True, some of the songs we acknowledge as being the greatest ones are about deep, philosophical/social issues: “Like a Rolling […]
We all know that songs need to be unique. You can’t take someone’s melody or lyrics and call them your own. Most songwriters know, though, that chord progressions aren’t generally protected by copyright. So that’s certainly one element of a song that you can take and use, guilt-free. If you’re trying to develop a lyrics-first […]
