I watched a video of a song producer a while ago (I can’t remember who it was) but something he said got me thinking. To paraphrase: “If a song has a great chorus hook, I don’t care what the verse sounds like. Nobody remembers verses anyway.” That’s a surprising observation, and I wondered if it […]
Whenever anyone asks me how long it takes for the average song to be written, I usually tell them that it takes as long as it takes. That’s my way of saying that there is no norm. A song might come together in fifteen minutes, and it might take weeks or even months or more. […]
We associate the concept of the hook with pop music, though many genres, even classical music, have them. And when we say hook, we usually mean the chorus hook — that bit of the chorus (or sometimes the entire chorus) that listeners can’t get enough of, and hum it (hopefully) all day long. There are other kinds of […]
All songs are a mixture of things that we find familiar and predictable, with a touch of innovation and newness tossed in. The familiar things, as far as a listener is concerned, start with the very sound of the music: the sound is often what gives the genre away. “Use Your Words! Developing a Lyrics-First Songwriting […]
For most of the songs you’ll write, you’ll likely use the same key throughout. If you do happen to change key, the mostly common scenario is to put the verse in a minor key and then switch to the relative major for the chorus, like Carole King’s “You’ve Got a Friend.” That’s pretty standard, and […]
If you find that you battle songwriter’s block on a somewhat regular basis, here’s something you can try that might help: release yourself from the duty of writing an entire song in a sequential manner. It’s likely that the part of a song you work out first is the chorus hook. That’s common, because if […]
