Music theory tends to get a bad rap in the world of songwriters. The main argument against the use of music theory is that it can stunt one’s creativity, but that’s a ludicrous suggestion. If an understanding of the nuts and bolts of theory results in you feeling less creative, you’re using it wrong. Music […]
I don’t want to say that thinking about your songwriting process is a waste of time, because it’s not. And I often write about the importance of process on this blog. But a songwriting process usually only attempts to give you a set of steps to achieve that song that’s bouncing around in your head. […]
If you ask any songwriter which process they use, they’ll probably tell you that it differs from song to song. For most, it really depends on which musical fragment makes its first appearance in their musical mind. If it’s a bit of lyric, they’ll most likely to start by filling out that fragment with more […]
If you chat at all with songwriters, the word “process” comes up a lot, and most competent songwriters will express the importance of having a good one. But here’s the problem: if you use the same basic procedure for all your songs — the same process — you’ll wind up with songs that all sound pretty […]
Every year I have the best of intentions to write a post or two regarding writing holiday music, good and early so that songwriters can actually use the information! And then, usually due to my own busy schedule this time of year, I don’t get it done. But I thought I’d write this quick one […]
I have a theory as to why so many songwriters like to start with chords: it’s because chords give you: a mood; a musical landscape; the start of a musical form. In very short order, you can easily come up with 8 bars of music when you’ve got 3 chords, even if you don’t have […]
