Like so many things in the creative arts, imagery is difficult to define with any kind of precision. Of course you could say that imagery in songwriting is, simply, anything that creates images in the mind of the listener. But to me, there’s more to it, because practically anything you write will create images. In […]
Back in 1982 Bruce Springsteen released “Nebraska,” his sixth studio album. It’s the perfect example of “barebones.” Springsteen played all the instruments himself: guitar, harmonica, mandolin, glockenspiel, tambourine, Hammond organ and synths. He even recorded the album himself at home on a small 4-track Teac cassette machine. Stuck with how to get chords that fit […]
When we talk about progressions, the automatic assumption is that we’re talking about chords. But the reality is that in good songs, practically everything progresses. The reason for the assumption that we’re talking about chords is that they will quickly sound disorganized and confusing if we don’t pick up that all-important aspect of progression. Simply having […]
A few articles back I gave some advice on what to consider when you’re trying to write a good chorus hook (“Creating Effective Song Hooks“). But what do you do when your verse and chorus use the same or very similar melody? How can a chorus hook do its job if the verse is using […]
Just this morning I went to YouTube and listened to Springsteen’s “I’m On Fire.” Such a powerful song, and I don’t think I had ever seen the official video before, which includes a short dramatization of Springsteen as a car mechanic being asked to repair a car by a woman we never actually see, other […]
While browsing about on YouTube recently I listened to one of my favourite Bruce Springsteen songs, “Tunnel of Love” (1987) from the album of the same name. I loved reading through the comments on the page, because it was obvious that other people love the tune as much as I do. I want to talk […]
