Orchestral pop music

Using Classical Music as a Model for Writing a Good Song Intro

Because most of my formal training in music and musical composition has been in classical music, I like thinking of ways in which pop songs have borrowed ideas from the classical masters. Chords are one way. Whether it’s a Mozart symphony, a Bach Cantata, or a Brahms sonata, the way progressions work — the way […]

Keyboard lessons

Using Familiarity and Innovation Within the Same Song

All songs are a mixture of things that we find familiar and predictable, with a touch of innovation and newness tossed in. The familiar things, as far as a listener is concerned, start with the very sound of the music: the sound is often what gives the genre away. “Use Your Words! Developing a Lyrics-First Songwriting […]

Peter Gabriel's "Panopticom"

Combining Complexity With Simplicity: Peter Gabriel’s “Panopticom”

There’s more to a song hook than meets the ear… a lot more. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” is a vital manual for any serious songwriter. The issue of complexity and simplicity in songwriting is an important one. Songs that are too simple are usually […]

Metronome

The Psychology of Song Tempo

I’ve always been interested in the tempo of music, and what effect that has on how we “hear” a song. We can measure tempo precisely, usually in bpm (beats per minute), but performers will often slightly alter tempo from one live performance to the next, which might indicate that the need for tempo precision is […]

Bob Seger

Increasing Musical Intensity With a Static Melody

If you think about melodies that are considered “beautiful”, you’re usually talking about ones that move generously up and down rather than ones that sit mainly around one or two notes. If you were to make a short list of songs that have what everyone seems to think of as beautiful, there’s another aspect you’ll […]