How Interesting Your Chords Are Isn’t the Most Important Part of a Song

However you start the songwriting process, you’re likely starting with the aspect of music with which you feel most comfortable. Start with lyrics? You probably find words easy to combine and finesse. Start with chords? You likely feel most comfortable setting the mood and colour of the music. If you’re a chords-first songwriter, you’re probably […]

Tracy Chapman

Using the Way Your Melodies Move to Enhance Musical Meaning

Thousands of songwriters are using “The Essential Secrets of Songwriting 10-eBook Bundle” to improve their songwriting technique. Become the most consistent songwriter you can be! If you like melody-first songwriting processes, you know there are several ways to proceed. Here’s one method, for example: You coming up with a melody, or fragment(s) of melody. You […]

Louis Armstrong

What Makes Good Song Melodies Memorable?

A key part of success when it comes to song melodies is writing something that audiences easily remember. If it’s possible to consider beauty and memorability as two separate entities, it’s worth spending a bit of time thinking about a) what makes melodies beautiful, and b) what makes them easy to remember. You’re going to […]

Piano - songwriting

Writing Song Melodies, and What You Can Learn From “Heart and Soul”

“Heart and Soul“, that popular song that so many people like to plunk out mindlessly on piano, is a lot older than many realize. It was written in 1938 — 80 years ago! — by American songwriters Hoagy Carmichael and Frank Loesser. If you look up “infectious” in a music dictionary, don’t be too surprised […]

Jason Derulo

Song Hooks: Most Songs Have Several

We typically talk about a song’s hook as if there is just one. But in fact, most songs have several hook-like elements, all working to make the song attractive to listeners. While one of those hooks tends to stand out as the main one, songwriting success comes from having several of them on the go, […]

Connecting Melodic Ideas Between a Verse and Chorus

How much of a connection should a listener hear between the verse and chorus? In other words, except for tempo, key and general feel, can a verse melody set up a chorus well if it bears little to no similarity to that chorus melody? Take the classic hit “Witchy Woman” (Don Henley, Bernie Leadon). Compare […]