George Harrison

From a Minor Key Verse to Its Parallel Major

You may be familiar with the term relative major — that’s the major key that uses the same key signature as a particular minor key. It’s a very common key relationship in pop songs, because if you’ve written a song that uses a minor key verse, and you decide to switch to major for the chorus, […]

Songwriter - guitarist

An Important Way That Chords-First Songwriting Can Let You Down

There is a lot to be said for the chords-first songwriting process, not the least of which is the fact that when you start vamping on a chord progression, a mood usually becomes quickly obvious. And once you’ve got the mood of the music, a topic will often be easier to settle on. And once […]

Songwriting on piano and guitar

Songwriting From the Chorus to the Verse

If you’re ready to take your songwriting to its highest level possible, you need “The Essential Secrets of Songwriting 10-eBook Bundle.” Get the manuals that thousands of songwriters are using. Comes with a Study Guide. If you write in the pop genres, you probably make good use of improvisation, whether it’s by yourself or with […]

Singer - Songwriter

Exploring the Extremes

If you always give the audience what they’re expecting, that’s a recipe for losing a fan base. It’s true that your fans are going to expect a certain style of songwriting from you, but if you never venture outward — never explore the extremes — your fan base is going to get lulled into the […]

Andy Grammer

A Chords-and-Melody Troubleshooting Guide for Songwriters

Is putting chords and melodies together one of your biggest challenges as a songwriter? Every song is unique, and uniqueness can sometimes make it hard to understand how chords can and should be supporting the form of your songs, and the melody notes above them. If you like starting songs by working out chord progressions, […]

Piano and guitar - songwriter

Does It Matter If You Don’t Know the Key of Your Song?

If you’re a songwriter who favours the chords-first process, you’re used to doing a fair bit of improvising and experimenting, coming up with chord combinations that sound good. In the improvising that you do, you’re possibly (or even probably) not aware of key. In other words, it’s quite possible to generate interesting chord progressions even if […]